Albert Lee - "Gagged But Not Bound"
MCA Records Inc. 1987
MCA Master Series (MCAC-42063)

1. Flowers Of Edinburgh
    (Traditional - Arrangement by Albert Lee)
    Albert Lee - Acoustic Guitar

2. Don't Let Go
    (J.Stone)
    Albert Lee - Guitar
    Jim Cox - Piano
    Jimmy Johnson - Bass

3. Midnight Special
    (Traditional - Arrangement by Jim Cox)
    Albert Lee - Guitars, Mandolin
    Jim Cox - Harpsichord
    Jerry Scheff - Acoustic Bass
    Paul Leim - Drums

3. Tiger Rag
    (LaRocca, Shields)
    Albert Lee - Guitar, Mandolin, Hambone
    Jim Cox - Keyboards
    Jimmy Johnson - Bass
    John Ferraro - Drums

4. Forty Miles of Bad Road
    (Al Casey, Duane Eddy)
    Albert Lee - Acoustic Guitar
    Jim Cox - Harpsichord

5. Fun Raunch Boogie
    (Albert Lee, Sterling Ball)
    Albert Lee - Electric Guitar, Acoustic Guitar
    Jim Cox - Piano
    Jimmy Johnson - Bass
    John Ferraro - Drums

6. Walkin' After Midnight
    (Don Hecht, Alan Block)
    Albert Lee - Guitars
    Jim Cox - Piano
    Steve Douglas - Tenor Saxophone
    Jerry Scheff - Bass
    Paul Leim - Drums
    Albert & Jim - Rebel Yells

7. Schön Rosmarin
    (Kreisler)
    Albert Lee - Guitar
    Jim Cox - Keyboards, Emulator Bass, Coronaphone

8. Country Gentleman
    (Chet Atkins, Boudleaux Bryant)
    Albert Lee - Guitars, Mandolin
    Sterling "Biff" Ball - Bass
    Paul Leim - Drums

9. Monte Nido
    (Albert Lee)
    Albert Lee - Piano

10. Oklahoma Stroke
    (Jim Cox)
    Albert Lee - Guitars
    Jim Cox - Keyboards, Drum Programming
    Pete Christleib, Brandon Fields, Gary Herbig, Joel Peskin - Saxophones

Produced and arranged by Jim Cox.

Recorded and mixed by Mark Howlett.
Recorded at Sunset Sound Factory, Avatar, The Village, and Sounder.
Assistant Engineers: Saul Raye, Charlie Brocco, Kathy Kurash, David Knight, Robert Hart, John Slattery.
Mastered by Jeff Sanders at KM Records.
Very special thanks to Jim Cox, Mark Howlett, and Sterling "Biff" Ball, for their help with this album.
Thanks also to Tony Brown, Tom Wheeler, Seymour Duncan, Keith Worsley, and Ernie Ball for their continued support, and to Blake Morris for helping me overcome a fear of Italian engineering.

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