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Rhythm Magazine, March 1999, page 32-33
At first it was hard to find an audience in Ireland. "When we sang in English, they loved it," Máire remembers. "When we sang in Gaelic, they wouldn't clap. People were literally laughing at us." Clannad's now-legendary early recordings were financed by whoever would spring for studio time. The genesis of their second album was typical. "Gael-Linn brought it out and distributed it, but it was financed by a sewage company," Brennan says with a comical grimace.
Clannad decided to hit the road and headed for Europe, where they developed a solid fan base and did some cloak-and-dagger distribution. "We'd smuggle out as many albums as we could in the doors of the van. I remember coming into Hamburg on the boat, and we were searched. It was tough going."
When stardom finally arrived in the '80's, it brought vindication, personnel changes, growth and compromises. Brennan's desire to write her own songs evolved slowly. "I did very little in the beginning, from laziness," she says. "I was looking at other people's songs before I started to write myself. I was listening to world music and different ryhthms. I was fascinated with what I was coming out with." The idea of a solo record was growing on her, too. "A change is as good as a rest," she says, laughing.
The decision to make a Christian album was born of Máire's own return to the fold, although not to any particular doctrine. "There's so much interest in Irish music, dance, mythology and folklore," she says, "but people outside Ireland don't see the spiritual side of the Celtic race. Our ancestors' courage, love and humility came from their Christian background."
She was especially drawn to St. Patrick, a heroic figure who has been trvialized into a kind of patron of saint of party animals. "St. Patrick is celebrated all over the world. Well, do you know who he was? We celebrate, we drink, we get silly. But who was this guy, and what did he do? He was an extraordinary man."
Given her beliefs, Brennan finds the sectarian violence in Ireland especially disturbing. "Christians fighting Christians, Catholics, nd Protestants," she says wistfully. "It breaks my heart, because we're all stemming from the same rock. We should look at that and not at what we've become. I discovered an awful lot, being from a Catholic background and getting married to a Protestant. The biggest thing about Christ is love and humility. People think being humble is a weakness. I think it's a strength, because the hardest thing to do is to forgive and give in, and not many people can do that nowadays."
Perfect Time turned out to be another kind of Brennan family enterprise, as well as a declaration of faith. "It was very important to include something that was precious to me and part of my childhood," Máire says. "Recording my mom's choir in the local Catholic church was so earthly and real. I love that. My mom, my dad, and two of my sisters are in it, and the people from the parish."
Brennan has only to look back home for living examples of the fabled spiritual resilience of the Irish people. "For me, it is important to make an issue of this," she says. "It's amazing how a race that has known so tagedy can make melancholy songs that are never dark. There's always a sense of hope, and Irish is such a language for blessings."
Copyright 1999, Rhythm Magazine.
(This material is provided for reference only. Use of this material for commercial purposes without the original author's permission is prohibited.)
Information is provided below on how to order the March 1999 edition of Rhythm Magazine in which
this original article appeared or for subscriptions to Rhythm Magazine for those who are interested:
In the USA call 1-800-464-2767
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