| New Flutes, Old Flutes |
Although old flutes can be
very attractive, and at their best are magnificent instruments, many
players are now realising that they have many inherent problems attending
their use in modern traditional music. One of the main problems is
that of pitch. Modern concert pitch is described as being A=440,
meaning that the note A in the lower octave vibrates 440 times per
second. In England, around the middle of the last century concert
pitch could be as high as 455, or almost a semitone higher. In practical
terms what this means is that many of old flutes are difficult to
play in modern concert pitch. The tuning slide must be pulled out
a long way to make the instrument play at A440, causing the flute
to go out of tune with itself. Another disadvantage of playing a
flute with the slide well extended is that it tends to diminish the tone
and response of the instrument.
Other problems are caused
by the fact that such flutes were designed to play classical music
over a range of three octaves and the fingering was different to
that used by traditional players. More tuning problems are caused
by trying to use traditional fingering on an instrument that wasn't
designed for it. Finally, the age of the flutes tells against them.
Every instrument has a useful life, and flutes will last a very long
time if properly maintained. Many old flutes will have been repaired
many times and cannot be expected to have the overall "life expectancy"
of a new instrument. Finally, the real value of many old flutes as
playing instruments has been eclipsed in recent years by their increase
in value as antiques. An expensive old flute will not necessarily
be an instrument suitable for traditional music.