| A |
| AGE UKE | Rising Block. |
| AGE ZUKI | Rising Punch. |
| AI-UCHI | Simultaneous actions of two opponents
making the same movements at the same time. |
| AKA | Red |
| ASHI BARAI | Foot Sweep. |
| ASHI WAZA | Name given to all leg and foot techniques |
| ATEMI WAZA | Striking techniques that are aimed at
vital or weak points of an opponents body. |
| B |
| BASSAI | To storm a fortress. |
| BO | Staff. A long stick used as a weapon (approximately 6 feet long). |
| BUDO | Martial way(The way of combat).
Budo is concerned with the physical and spiritual training offered through the
study and practice of the martial arts. |
| BUNKAI | A study of the techniques and applications in
Kata. |
| BUSHI | Warrior. Name given to all the warriors who made up
families with a warror tradition. |
| C |
| CHOKU ZUKI | Straight Punch. |
| CHU | Middle, centre. |
| CHUDAN | Middle level. Chest height. |
| CHUDAN ZUKI | A punch to the mid-section of the opponent's body. |
| D |
| DAI | Great, big. |
| DAISHO | The name given to the pair of swords
carried by Samurai. or Bushi. These generally consisted of a Katana (or O-dache) and
a Wakizashi (or Kodachi). |
| DAN | Lever, Rank or Degree. Black Belt rank. Ranks under Black Belt
are called KYU ranks. |
| DO | Way/path. The Japanese character for "DO" is the same as the
Chinese character for Tao (as in "Taoism"). In Karate, the connotation
is that of a way of attaining enlightenment or a way of improving one's
character through traditional training. |
| DOJO | Literally "place of the Way."
The place where we practice Karate. Traditional etiquette prescribes
bowing in the direction of the designated front of the dojo (SHOMEN)
whenever entering or leaving the dojo. |
| DOMO ARIGATO GOZAIMASHITA |
Japanese for "thank you very much."
At the end of each class, it is proper to bow and thank the instructor
and those with whom you've trained. |
| E |
| EKKU | A Wooden oar used by the Okinawans which was imporovised as a
weapon. |
| EMBUSEN | Floor pattern of a given Kata. |
| EMPI |
- One the Black Belt level Kata, translated as "The Flight of a Swallow".
- Elbow. Sometimes referred to as HIJI.
|
| EMPI UCHI | Elbow strike (also called HIJI-ATE) |
| F |
| FUDO DACHI | Immovable Stance. Also referred to as SOCHIN DACHI. |
| FUMIKERI | Kick using the cutting edge of the
foot (sokuto). |
| FUMIKOMI | Stamping kick. |
| G |
| GANKAKU DACHI | Crane Stance,
sometimes referred to as TSURU ASHI DACHI and SAGI ASHI DACHI.
Used in the advanced kata Gankaku (A crane on a rock). |
| GASSHUKUA | special training camp. |
| GEDAN | Lower level. |
| GEDAN BARAI | Downward Block. |
| GEDAN ZUKI | A punch to the lower section of the
opponent's body. |
| GETA | Wooden clogs worn by the Japanese in wet weather.
In karate training, heavy metal geta are sometimes worn to perform kicking techniques
in order to strengthen all the muscles involved. |
| GI | Also known as DOGI, KEIKOGI and KARATE-GI.
Uniform worn for training. In most traditional Japanese and Okinawan Karate Dojo,
the GI must be white. |
| GOHON KUMITE |
Five step basic sparring. A form of prearranged kumite. The attacker steps in five
consecutive times with a striking technique with each step. The
defender steps back five times, blocking each technique. After the
fifth block, the defender executes a counter-strike. |
| GO NO SEN | The tactic where one allows the
opponent to attack first so to open up targets for counteracttack. |
| GYAKU MAWASHI GERI | Reverse Round-house
Kick. |
| GYAKU ZUKI | Reverse Punch. |
| H |
| HACHIJI DACHI |
A natural stance, feet positioned about one shoulder
width apart, with feet pointed slightly outward. |
| HAI | "Yes". |
| HAISHU UCHI | A strike with the back of the hand.
|
| HAISHU UKE | A block using the back of the hand.
|
| HAITO UCHI | Ridge-hand Strike. |
| HAJIME |
"Begin". A command given to start a given drill, Kata, or Kumite. |
| HAMNI | Body position where hips are at 45 degrees.
As in blocking. |
| HANGETSU | A Black Belt level Kata.
|
|
HANGETSU DACHI | "Half-Moon" Stance. |
| HANSHI |
"Master." An honorary title given to the highest Black Belt, signifying their
understanding(Kokoro) of their art. |
| HARA | Belly. The body's inner centre of gravity and
the source of energy-KI which is located about 4cm below the naval.'Deep' breathing must
take place from the hara. |
| HARAI-TE | Sweeping technique with the arm.
|
| HASAMI ZUKI | Scissor Punch. |
| HEIKO DACHI | A natural stance. Feet positioned about one shoulder
width apart, with feet pointed straight forward. Some Kata begin
from this position. |
| HEIKO ZUKI | "Parallel Punch" (A double, simultaneous punch).
|
| HEISOKU DACHI |
An informal attention stance. Feet are together. |
| HIDARI | "Left". |
| HIJI | "Elbow", also known as Empi.
|
| HIJI-ATE |
Elbow strike (also called EMPI-UCHI) |
| HIJI UKE |
A blocking action using the elbow. |
| HIKI-TE |
The retracting (pulling and twisting) arm during a technique.
It gives the balance of power to the forward moving technique. It can
also be used as a pulling technique after a grab, or a strike backward
with the elbow. |
| HIRAKEN | Half-fist |
| HIZA GERI | Knee Kick. |
| HIZA UKE | A blocking action using the knee. |
| HOMBU DOJO |
A term used to refer to the central dojo of an organization. |
| I |
| IN-YO | Harmony |
| IPPON KEN | "One Knuckle Fist". |
| IPPON_KUMITE | One attack sparring. |
| IPPON NUKITE |
A stabbing action using the extended index finger. |
| IPPON SHOBU | One point match,
used in tournaments. |
| IRIMI | Body position where hips are 90 degrees
i.e. hip position in kokutsu dachi.
|
| J |
| JIYU IPPON KUMITE | One step free
sparring. |
| JIYU KUMITE | Free Sparring. |
| JO | Wooden staff about 4'-5' in length. |
| JODAN | Upper level. |
| JUJI UKE | X Block. Arms are crossed at the wrists.
|
| JUN ZUKI | Another term for OI-ZUKI. Normally used to
refer to a punching technique following a kick. The same arm is used as the advancing leg.
|
| K |
| KAGI ZUKI | Hook Punch.
|
| KAISHO |
Open hand. This refers to the type of blow which is delivered
with the open palm. It can also be used to describe other hand blows
in which the fist is not fully clenched. |
| KAKE-UKE | Hook Block. |
| KAKIWAKE | A two handed block using the outer surface
of the wrist to neutralize a two-handed attack, such as a grab. |
| KAKUSHI WAZA | "Hidden techniques." |
| KAKUTO UCHI | Wrist joint strike. Also known as
"KO UCHI." |
| KAKUTO UKE | Wrist Joint Block. Also known as
KO UKE. |
| KAMAE |
A posture or stance either with or without a weapon. KAMAE may
also connote proper distance (Ma-ai) with respect to one's partner.
Although "KAMAE" generally refers to a physical stance, there is an
important prallel in Karate between one's physical and one's psychological
bearing. Adopting a strong physical stance helps to promote the correlative
adoption of a strong psychological attitude. It is important to try so
far as possible to maintain a positive and strong mental bearing in Karate. |
| KARATE-DO |
"The Way of Karate". This implies not only the physical
aspect of Karate, but also the mental and social aspects of Karate. |
| KARATEKA | A practitioner of Karate. |
| KATA | A "form" or prescribed pattern of movement. |
| KEAGE | Snap Kick. (Literally, Kick upward). |
| KEIKO | Training. The only secret to success in Karate. |
| KEKOMI | Thrust Kick ( Literally, Kick Into/Straight ). |
| KEMPO | "Way of the Fist." A generic term to describe fighting systems that
uses the fist. In this regard, KARATE is also KEMPO. |
| KENSEI | The technique with silent KIAI. Related to meditation. |
| KENTSUI | Hammer Fist Also known as TETTSUI. |
| KENTSUI UCHI (Or TETTSUI UCHI) | Hammer Fist Stike. |
| KERI | Kick. |
| KI | Mind. Spirit. Energy. Vital-force. Intention. (Chinese "chi")
The definitions presented here are very general. KI is one word that
cannot be translated directly into any language. |
| KIAI | A shout delivered for the purpose of focusing all of one's
energy into a single movement. Even when audible KIAI are absent,
one should try to preserve the feeling of KIAI at certain crucial
points within Karate techniques. Manifestation of KI (simultaneous
union of spirit and expression of physical strength). |
| KIBA DACHI | Side Stance or 'horse riding stance'. |
| KIHON | Fundamental. Basic techniques. |
| KIME | Focus of Power. |
| KIZAMI ZUKI | Jab Punch. |
| KOHAI | A student who practises under the direction of a 'Sempai'. |
| KOKEN | Wrist Joint. |
| KOKORO | "Spirit, Heart." In Japanese culture, the spirit dwells in the Heart. |
| KOKUTSU DACHI | Back Stance where most of the body weight is on the rear leg. |
| KOSA DACHI | Crossed-Leg Stance. |
| KUMADE | Bear hand. |
| KYU | "Grade". Any rank below Shodan. |
| KYUSHO WAZA | Pressure Point techniques.
|
| L |
| M |
| MA-AI |
Proper distancing or timing with respect to one's partner.
Since Karate techniques always vary according to circumstances, it
is important to understand how differences in initial position affect
the timing and application of techniques.
|
|
MAE | Front.
|
| MAE EMPI | Forward Elbow Strike. |
| MAE ASHI GERI | Kicking with the front leg. |
| MAE GERI KEAGE | Front Snap Kick. |
| MAE GERI KEKOMI | Front Thrust Kick. |
| MAKIWARA | A straw pad fixed to a pole used in training punching and
striking techniques and for conditioning of the hands. |
| MAKOTO |
A feeling of absolute sincerity and total frankness, which
requires a pure mind, free from pressure of events. |
| MANABU |
"Learning by imitating." A method of studying movement and
techniques by following and imitating the instructor. |
| MANJI UKE |
A Double block where one arm executes GEDAN BARAI to one side,
while the other arm executes JODAN UCHI UKE (or JODAN SOTO YOKO TE). |
| MATTE | "Wait". |
| MAWASHI GERI | Roundhouse Kick.
|
| MAWASHI ZUKI | Roundhouse Punch. |
| MAWASHI EMPI UCHI |
Circular Elbow Strike. Also referred to as MAWASHI HIJI ATE. |
| MAWASHI HIJI ATE |
Circular Elbow Strike. Also referred to as MAWASHI EMPI UCHI. |
| MAWAT-TE | A command given by the instructor for students to turn around. |
| MIGI | Right. |
| MIKAZUKI GERI | Crescent Kick. |
| MOKUSO | Meditation. Practice often begins or ends with a brief
period of meditation. The purpose of meditation is to clear one's
mind and to develop cognitive equanimity. Perhaps more importantly,
meditation is an opportunity to become aware of conditioned patterns
of thought and behavior so that such patterns can be modified,
eliminated or more efficiently put to use. |
| MOROTE ZUKI | U-Punch. Punching with both fists simultaneously.
Also referred to as AWASE ZUKI. |
| MOROTE UKE |
Augmented Block. One arm and fist support the other arm in a block. |
| MUSHIN | "No Mind." The state of being that allos freedom and flexibility
to react and adapt to a given situation. |
| MUSUBI DACHI |
An attention stance with feet pointed slightly outward. |
| N |
| NAGASHI UKE | Sweeping Block. |
| NAKADAKA IPPON KEN | Middle Finger Knuckle. |
| NAMI-GAESHI |
Returning Wave. Foot technique found in Tekki Shodan to
block an attack to the groin area. The technique can also be used to
strike the opponent's inner thigh or knee. |
| NEKO ASHI DACHI | Cat Stance. |
| NIHON NUKITE | Two finger stabbing attack. |
| NIDAN | Second Level, as in Second Degree Black Belt. |
| NIDAN GERI | Double Kick. |
| NUKITE | Spear Hand. |
| NUNCHAKU | An Okinawan weapon consisting of two sticks connected by rope or chain.
This was originally used by the Okinawans as a farm tool to thrash rice straw. |
| O |
| OBI | A belt. |
| OI-ZUKI | Lunge Punch. |
| OSAE UKE | Pressing Block. |
| OTOSHI EMPI UCHI | An elbow strike by dropping the elbow. Also referred
to as Otoshi Hiji Ate. |
| OYAYUBI IPPON KEN | Thumb Knuckle. |
| P |
| Q |
| R |
| REI | "Respect". A method of showing respect in Japanese culture is the
Bow. It is proper for the junior person bows lower than the senior person. |
| REISHIKI | Etiquette. Observance of
proper etiquette at all times (but especially observance of proper
DOJO etiquette) is as much a part of one's training as the practice
of techniques. Observation of etiquette indicates one's sincerity,
one's willingness to learn, and one's recognition of the rights and interests of others. |
| RENSHI | "A person who has mastered oneself." This person is considered
an expert instructor. This status is prerequisite before attaining the
status as KYOSHI. Renshi "has a name." Renshi is no longer one of the many, so to speak.
Renshi is usually given at yodan to rokudan, depending on the system. |
| S |
|
SAGI ASHI DACHI | One Leg Stance. Also referred to as GANKAKU DACHI or TSURU ASHI DACHI. |
| SAI | An Okinawan weapon that is shaped like the Greek letter 'Psi' with
the middle being much longer. |
| SANBON KUMITE | Three Step Sparring. |
| SANCHIN DACHI | Hour-glass Stance. |
| SASHITE | Raising of the hand either to strike, grab, or block. |
| SEIKEN | Forefist. |
| SEIRYUTO | Bull Strike. A hand technique delivered with the base of the
SHUTO (Knife hand). |
| SEIZA | A proper sitting position. Sitting on one's knees.
Sitting this way requires acclimatization, but provides both a
stable base and greater ease of movement than sitting cross-legged.
It is used for the formal opening and closing of the class. |
| SEMPAI | A senior student. |
| SEN NO SEN | Attacking at the exact moment when the opponent attacks. |
| SEN SEN NO SEN | Attacking before the opponent attacks. Preemptive attack. |
| SENSEI | Teacher. It is usually considered proper to address the
instructor during practice as "Sensei" rather than by his/her name.
If the instructor is a permanent instructor for one's DOJO or for an
organization, it is proper to address him/her as "Sensei" off the mat as well. |
| SHIAI | A match or a contest (Event). |
| SHIDOIN | Formally recognized Instructor who has not yet be recognized
as a SENSEI. Assistant Instructor. |
| SHIHAN | A formal title meaning, approximately, "master instructor."
A "teacher of teachers." Hanshi is "wise" or sage-like, hence the common translation of
"master." Shinan may be an alternative pronunciation. |
| SHIKO DACHI | Square Stance. A stance often used in Goju-Ryu and Shito-Ryu. |
| SHIZENTAI | Natural Position. The body remains relaxed but alert. |
| SHOMEN | Front or top of head. Also the designated front of a Dojo. |
| SHUTO TE | Same as SHUTO UKE. This name was used before the advent
of sport karate. Used to describe one of the techniques in BOGYO ROKU
KYODO. |
| SHUTO UKE | Knife-hand Block. |
| SOCHIN DACHI | Immovable Stance. Also referred to as FUDO DACHI. |
| SOKUTO | Edge of foot. This term is often used to refer to the side thrust kick. |
| SOTO (UDE) UKE | Outside (Forearm) Block. |
| SUKUI UKE | Scooping Block. |
| SUWARI WAZA | Techniques from a sitting position. |
| T |
|
TAI SABAKI | Body movement/shifting.
|
|
TATE EMPI | Upward Elbow Strike.
|
|
TATE ZUKI |
Vertical Punch. A fist punch with the palm along a vertical plane.
|
| TATE URAKEN UCHI |
Vertical back-fist attack.
|
|
TEIJI DACHI | A Stance with the feet in a 'T-shape.'
|
|
TEISHO UCHI | Palm Heel Strike.
|
|
TEISHO UKE | Palm Heel Block.
|
|
TETTSUI UCHI | Hammer Strike. Also called KENTSUI.
|
|
TOBI GERI | Jump Kick.
|
| TONFA |
A farm tool developed into a weapon by the Okinawans.
|
|
TSUKAMI WAZA |
Catching technique. A blocking technique by seizing
the opponent's weapon, arm, or leg. Used often for grappling techniques.
|
| TSUKI |
A punch or thrust (esp. an attack to the midsection).
|
|
TSURU ASHI DACHI |
Crane Stance, also referred to as GANKAKU DACHI and SAGI ASHI DACHI.
|
|
TUITE | Grappling skills.
|
| U |
|
UCHI MAWASHI GERI | Inside Roundhouse Kick.
|
| UCHI (UDE) UKE | Inside (Forearm) Block.
|
|
UKE | Block.
|
|
UKEMI WAZA | Breakfall techniques.
|
| URA ZUKI |
An upper cut punch used at close range.
|
| URAKEN | Back Knuckle.
|
|
USHIRO EMPI UCHI | Striking to the rear with the elbow.
|
|
USHIRO GERI | Back Kick.
|
| V |
| W |
| WAZA | Technique(s). |
| X |
| Y |
|
YAMA ZUKI | Mountain Punch. A wide U-shaped dual punch. |
| YAME | Stop! |
| YASUMI |
Rest. A term used by the instructor to have the students relax,
normally following a long series of drills. |
| YOI | Ready. |
| YOKO | Side. |
| YOKO GERI KEAGE |
Side Snap Kick. Also referred to as YOKO KEAGE. |
| YOKO GERI KEKOMI | Side Thrust Kick. Also referred to as YOKO KEKOMI.
|
|
YOKO MAWASHI EMPI UCHI | Striking with the elbow to the side.
|
| YOKO TOBI GERI | Flying Side Kick. |
| YOWAI | "Weak Focus" |
| YUDANSHA | Black belt holder (any rank). |
| Z |
| ZANSHIN |
Lit. "remaining mind/heart." Even after a Karate technique
has been completed, one should remain in a balanced and aware state.
ZANSHIN thus connotes "following through" in a technique, as well as
preservation of one's awareness so that one is prepared to respond to
additional attacks. |
| ZA-REI | The traditional Japanese bow from
the kneeling position. |
| ZENKUTSU DACHI | Forward Stance. |
| ZENSHIN | Forward. |
| COUNTING TO 10 IN JAPANESE |
| ICHI | One |
| NI | Two |
| SAN | Three |
| SHI | Four |
| GO | Five |
| ROKU | Six |
| SHICHI | Seven |
| HACHI | Eight |
| KU | Nine |
| JU | Ten |