This is as dry as
bone. The bones of John Barleycorn. The trouble with poets is that they
see poetry as a private, solitary art. Send the wife off to the pictures, tell
the kids to shut up and there it is, waiting for you like a bowl of
cornflakes on the table. Aphorism No. 1: The poet must burn the garret
in his head.
My poetry flourished in the daylight, grew stronger in the
glare of confrontation. It took on the Council, fought to the death the
bastard that locked up my mother and destroyed the memories of my
youth. What is a poet without the memories of his youth? Like Hitler in
his bunker, he pawed the map, planted flags, and sent his henchmen to
destroy the town I loved. And nothing blocked their way but poetry.
While politicians, historians and Greens wrung their hands in meetings, I
was on the streets, hoarse from crying in the wilderness. Only words
stood between my past and the slavering curs of progress. But they were
futile: pebbles hopping off Goliath's chest.
When I arrived, there was maybe half-a-dozen of them gathered
round the JCB. At first I thought there must have been an accident, but
then I saw the old woman, squashed into the bucket, threatening to do
away with herself if they didn't give her back the field. I tried to talk to
her but she wouldn't budge. After a while, the foreman ordered two lads
to lift her out. In a flash she whipped out a breadknife and drew it across
her arm: `Are ye happy now? What do ye think of that? Get back, get
back, ye pack of bullyboys. Are ye not content with taking the bit of
land? Is it blood ye want as well? I'll give ye blood. All the blood ye want!`
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