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The Invisible Woman
I was left on a doorstep when I was a few hours old. When I was
a few hours old, I was left on a doorstep. Fact. Indisputable.
It was written down. Left on a doorstep, it said. The new-born
baby was left, it said. On a doorstep.
There's no quarrelling with facts,
after all.
Of course, I have no recollection of the event. At that age
not a lot registers on the consciousness, although I have heard
of people under psychoanalysis remembering even the moment of birth.
The old man claimed to remember his birth that way: when he burst
from darkness into light, from wet into dry, from togetherness into
separation.
I don't know if he was really able to remember all that but they
certainly say it is possible. And if I could remember my birth,
could I then remember my mother's face? Enough to recognize her
again? There's a question. I only found out the known facts of
my beginnings much much later, after I had been living for many
years with the butcher and his wife. Not, certainly not, under
the impression that I was their own child, they never pretended
that. But nevertheless as a well-cared-for fosterling.
They put me in a west-facing bedroom, looking out over the neat
back garden, the butcher's pride, towards wild skies. The butcher's
wife could never have suspected when she put up that pretty pink
wallpaper, the grotesque faces I would imagine staring out at me
from its beribboned bouquets of flowers as the sun sank behind the
butcher's apple trees, throwing distorted shadows on the walls.
In those earliest days, under the bedcovers, I would see myself
as the long-lost daughter of a queen, weeping in her tower for lack
of me. I had been taken. A changeling, an ugly elf had been reared
in my place and sat at the head of the table and married the prince.
I was an orphan, a refugee from an evil uncle who wanted to kill
me to take my birthright. For I was read to a lot: fairy-tales,
the brothers Grimm, Hans Christian Andersen, and then I read for
myself late, under the covers, The Princess and the Goblin, Peter
Pan, Tom's Midnight Garden, The Enchanted Castle. The bland,
repetitive everyday life around me seemed as unreal as a painted
façade covering a dark strangeness.
I would ask
the butcher's wife about my mother. The butcher's wife was a kind woman even
though her hands were daily covered with the blood of slaughtered animals.
But if she ever knew anything, she never told me. She would smile and say that
sometimes circumstances made people give up their babies even though they loved
them very much. And Circumstances would appear to me out of the shadows as
a monster with cruelly distorted features, standing over a beautiful maiden
as she clutched her baby to her bosom.
My life has passed like a dream. It is like looking down from
a mountain on to a landscape that you cannot recognize, although
you are told that you have traversed it, even though the marks of
your footprints can still here and there be seen quite clearly.
Travelled so long and so far that you have difficulty in comprehending
it and would deny the evidence if you could.
The butcher
is dead. His wife an old lady, clutching the sheets. I am what they call middle-aged,
even though I feel in the middle of nothing: either it is all over or it has
not yet begun. Others around me move and change so fast I cannot retain a precise
image of them. And my mother, my mother?
The bag I was in was an old floppy wicker shopping basket, one
of the handles broken off and replaced with a hank of rope. I was
inside the bag, wrapped in a soiled white blanket stamped with little
blue flowers. How do I know? Certainly I don't remember. Certainly
it is impossible for a five-hour-old baby to remember such a thing.
They must have told me. Someone must have told me. Yet the butcher's
wife knew no such details, only that I was left on a doorstep and
then found. Not on her doorstep. She only came into the picture
much later, when a second foster-home was sought. An unknown doorstep.
Well, unknown until I tracked it down. But that was much later.
The memory of the basket and the blanket were already there. The
blanket ... I can see the frayed edge where the stitching has come
undone ... I can feel the cheap quality of the man-made fibre.
So cunning of
my mother. As sure as I am of the basket and the blanket, I also know beyond
a doubt that she chose the props on purpose, with great care to point to a certain
conclusion that was, however, totally false. Now that I have been on her trail
for so long, I know a few things about her, even if her face remains obstinately
blank. A baby found on a doorstep wrapped in a soiled and cheap blanket and
placed in an old shopping basket: there can be only one conclusion, can't there?
A poor young girl desperate to get rid of an unwanted baby, conceived in ignorance,
born in an alley-way. That's what the butcher's wife thought, though she wanted
to protect me from it. That's why she never supported me in my quest. She
thought it would lead to pain and sorrow. Leave well alone, she thought, though
too timid to say as much to one who had grown up to be so unlike herself, cosy
and sure in her allotted place.
But I had read
so many tales by then and found them false that I could not but doubt the slick
evidence my mother had fabricated, even before I found how consistently she
had covered her traces. And there was, of course, the incident in the park.
I was eleven years old before I learned of the doorstep. At an
age when most children had long unmasked Santa Claus, I was still
believing the fairy-tales of my own origins. Not that fairy-tales
are necessarily as remote from the truth as adults think. Quite
the opposite. But still. But still.
The
butcher's wife's sister-in-law, that is to say, the sister of the butcher, a
woman without blood on her hands, but nonetheless cruel, pretended that she
assumed I knew. I gaped, "A doorstep!"
"Oh, didn't
they tell you? Quite out of Dickens, I always think. A doorstep!"
The butcher's
wife was out in the kitchen, making tea. A chosen moment. The butcher's sister,
glancing at the door, continued.
"That's why
they didn't adopt you, Lucy dear. They couldn't. Your own mother might turn
up at any moment and claim you."
Her laughter
pealed out. No doubt the butcher's wife, in the kitchen, rejoiced in her Christian
heart to hear such fun. She could hardly wait to share the joke.
I fainted.
My first blood had come, which explained matters satisfactorily to the butcher's
wife. While she fussed over me and pressed a pad between my legs, I shut my
eyes, still dizzy, and saw my faceless mother advancing towards me, reclaiming
me, carrying a battered wicker shopping basket and a soiled white blanket with
blue flowers printed on it, frayed at the edges. She picked me up, yes she
did, easily, for I had shrunk like Alice after eating the right-hand side of
the mushroom, wrapped me in the blanket and placed me carefully in the basket.
She set off walking, not like a mother about to dump a new child but like a
woman carrying home the shopping, swinging it lightly in her hand, then shifting
it to the other side to ease the weight.
"Lucy, Lucy,"
the butcher's wife whispered in my ear, kissing my cheek, "It's all right now,
pet. You'll feel better soon."
Years later fierce gratification mingled with natural pity when
I learned of the mess the butcher's sister had made of her life.
Her marriage broken up following a nasty affair with the husband
of a friend, she was repudiated by her children, took to drink and
could no longer hold down her job. Took to many men indiscriminately
or maybe suicidally, looking out the worst on purpose, who knows.
Took to amphetamines. She was finally retrieved by the butcher's
wife. Found at last, huddled on a door-step - not the door
step, of course, that would have been too much - but one very like
it. Destitute, the bitter line of her mouth cracked, she was taken
up and given the room that I had long since abandoned but which
still contained my familiar marks, the sentimental and not entirely
erroneous notion of the butcher's wife having been that I would
like to find the room unchanged if I ever returned. The indices
in biro of my height at various ages on the eternally blossoming
wallpaper. The smear of blood from a nosebleed that woke me in
panic from a nightmare one night. The best of my earliest drawings,
lovingly framed, always of tight little square houses with draped
curtains and smoke coming from the chimneys, sometimes with a little
round face peeping out of a window. The secret corner of ripped
wallpaper, under which I had written a cryptic message: Mutter.
The grotesque faces of my familiars. In her convalescence, the
butcher's sister covered them all over with paintings of daisies
with black hearts. She spent her days sewing black-hearted daises
on to her clothes.
I never called the butcher's wife mother or mammy or mam or ma.
I never called her by her name, whatever it was. I called her aunt.
She was in fact not modern enough to be relaxed if a child should
address her by her first name. And she felt, conscientiously, that
she couldn't let me call her mother in case my real mother (the
bitter laughter of the butcher's sister rings in my ears) ever did
come back to reclaim me. So it was "aunt," even though there was
no - I assumed then, I know now for sure - blood link between myself
and either the butcher's wife or the butcher himself.
As for the butcher,
I never felt comfortable with "uncle," so I ended up not calling him anything
on the few occasions in those early years I ever had of talking to him. Why
had he let me come into the house? It seemed it could only be for his wife's
sake. His own children, two sons, were almost reared and he certainly would
happily have left it at that. His wife, however, was, in her late thirties,
at a loose end, a kindly, child-loving, good-doing woman who yearned, too late
it seemed, for a daughter. My story was pathetic, sentimental. There was even
an element of tragedy. Probably the butcher's wife would have preferred to
adopt me, hug all the separateness out of me and have me call her mammy, but
this, according to the laws of the times, could not be. And the butcher, a
man of excessively conventional views, could not warm to a child not of his
own flesh. So for the sake of his wife I was countenanced but never loved by
him. Now I think that it was partly his early attitude that made me stay a
stranger in my second foster-home.
The boys, the
butcher's two sons, whom I never knew well until I moved from the house long
after they themselves had gone, would tell me I was lucky not to have known
my parents. The children of suppressive parents often say this to me and to
a certain extent I can understand their point of view. I would not have liked
the butcher or even his wife as parents, though to me they were almost always
polite. I cannot criticize them except to say that they were ordinary to a
fault. The butcher had expectations of his sons which they were careful not
to fulfil. Neither went into the family business. The younger turned vegetarian
within my memory and enormous and numerous were the rows at the dinner table.
The butcher's wife tried to cook him tasty little dishes with cheese or beans
but the butcher threw them out and let his son eat only potatoes and vegetables.
This was at a time when many people still ate a lot of meat and to be vegetarian
was to be an oddity.
But apart from
this one deviation, the younger son stayed a pillar of respectability, becoming
an expert on weather, marrying a nice girl and having several mannerly vegetarian
children. It was the elder son who created the heartbreak. And me, of course.
Have I been wrong about so many
things? Is it possible?
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