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    What we say...

    Some people reckon its The Big Match, others Man About The House, while the favourite seems to be It's A Knockout, we're talking about the second half of 'Punk to Funk' the latest offering from Fatboy Slim and precursor to his debut album 'Better Living Through Chemistry'. 'Knuf ot Knup' is a dub version of the title track, while on the other side is 'Big Beat Soufflee' a distorted, breakbeat frenzy and yes it is meant to sound like that.

    (Press release for Skint 12)

    What they say...

    Everybody Loves A 303
    To my mind Norman 'Pizzaman'/'Freakpower' Cook has got this handbag business absolutely right: peaktime, floor friendly club killers, given enough underground edge to make them cool as fuck. The second Fatboy Slim outing is just as brilliant as the first, starting out with a loping, funky breakbeat and a big "everybody" chant, breaking down to the evilest dirty ol' acid noise you've ever heard, working it's way up to an orgasmic crescendo of funk 303 nuttiness. 'Lincoln Memorial ' on the flip is a dastardly slow flopalong with some nice acoustic guitar diddling and a touch a bluesy organ. 'We Wanna See Those Fingers' is another banging breakbeat dirty funky acid version of the A with a classic honky tonk piano to end on fine style. A record to turn clubs into mushy peas. Norman Cook is god and everyone else should retire

    (Dom Phillips - Mixmag Update)

    Norman Cook (for it is he) releases his second track under the Fat Boy Slim disguise and produces the best acid track of the current Brit Hop movement. Due for release in Mid January, it carries a similar breakbeat drive to the phenomenal 'Santa Cruz' track but with an acid line straight from the scary minds of Hardfloor, it has greater dancefloor impact. Big rolling drums and a weird vocal hook complete the picture for the lead track. The best Chemical Brothers track they never made. However, this man has even more to offer. 'B-Bang' is another heavy handed grunge stormer for the same type of dancefloors. Although it rips off 'Higher State Of Consciousness' in places it still rocks my sure shot, doubt me not!!! Fucked up frienzed head exploding popper beats to annoy your parents. Extremely large. (Unique) Santa Cruz/The Weekend Starts Here

    First record on Brighton label Loaded's new subsidiary, dedicted to the odder side of the musical tracks. 'Santa Cruz' is an aural assault on the senses, fully armed with rock geetars and thrasing hip hop drums. But it's on 'The Weekend Starts Here' that the plot starts to become a very meaty read indeed. Combining strings probably nicked off a film languishing in B-Movie hell, with a wound down breakbeat, and packing a bass drum that booms like a depth charge, this monster track comes on slow and low, chucking farting, freaky effects and echoing film dialogue over the top for full trip hop carpet bombing effect. The added bonus beats and neo-ambient journey through the string section do no harm whatsoever. Rough. (Frank Tope - Mixmag Update)

    SINGLE OF THE WEEK - 'The Weekend Starts Here' And what a place to begin. Staggering acid flashbacks, stuttering edits, emotional breakdowns and a bug in the bass bins , this is enough to get a girl giddy. Some may call it trip hop, I call it dancefloor tomfoolery fuelled by cheap poppers and Special Brew. Drop the needle on the record, elbow some room and ruck til you drop. (Melody Maker) What they say... ... This time Cook's in his mobile disc jockey guise (though disco lights are sadly not included with this debut album). Fusing Pizzaman's club cool with Freakpower's wide-boy flares and afro wigs, "Better Living Through Chemistry" is a cool conversion of all Cook's famously eclectic influences into ten slammin' party tunes. Guaranteed 100 per cent phat beats, you and your chosen friends can groove to everything from punk to funk to junk, from disco house to sexy techno, all in the comfort and safety of your living room. There's even the "Everybody Needs A 303" single, which finds Sly Stone jamming by the drinks cabinet with Josh Wink. Nice one, Norman. (Rachel Newsome - Musik)


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