Dolby Digital (also known as AC-3) made
its debut in cinemas in 1992 with Batman Returns. Since then, it has become
the format of choice in both cinemas and the home. The Dolby Digital format
caters for varying sound formats, ranging from mono up to full 5.1 surround
sound. It is the 5.1 sound aspect that's most important, as it allows
you to reproduce the film's soundtrack in your own home, exactly as it
was heard in the cinema.

A 5.1 soundtrack will contain six distinct channels of audio for the
positions of left, centre, right, left surround, right surround and the
Low Frequency Effects (LFE, bass or ".1") channel. Unlike the
analogue Dolby Surround and Pro Logic formats, Dolby Digital has two independant
surround channels. This means that a 5.1 system will give a far greater
sense of depth and localisation than a Pro Logic system. The LFE channel
is a separate channel that allows the inclusion of low frequency bass
sounds that are felt more than heard in the cinema. The LFE channel can
be routed to either a separate subwoofer or to all five speakers individually.
If even Dolby Digital isn't good enough for you, consider a DTS compatible
sound system.
Also available, but much rarer, are DVDs with 5.0
Dolby Digital soundtracks. These discs offer the same 5 channel surround
sound as 5.1 discs, but don't carry an LFE channel to provide the low
frequency bass
Dolby Digital EX
Dolby Digital EX made its debut with the release of Star Wars: Episode
1 - The Phantom Menace across cinemas worldwide. Dolby Laboratories and
Lucasfilm's THX collaboration on the new sound format adds a new channel,
placed in the central rear part of the soundstage. This new 6.1 sound
format allows the audience to be completely surrounded by sound like never
before
Dolby Digital
2.0
This DVD includes 2 Channels of audio which may be Stereo or Surround.
Any stereo system or television can make use of this audio format.
Dolby Digital 1.0
This is Mono audio |
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DTS, full name Digital Theater Systems, made its debut in cinemas
in 1993 with Steven Speilberg's Jurassic Park. Like Dolby Digital, DTS
is an audio codec (meaning to code/decode) that can allow anywhere between
one channel (mono) and six channels (5.1 surround) of digital sound. However,
DTS uses less than one quarter the compression of Dolby Digital, meaning
a DTS soundtrack is much closer in quality to the studio master. DTS audio
offers more subtle nuances, giving individual sounds superb clarity; better
dynamic range, meaning the loudest bangs have more depth and the quiet
passages are free of noise; and finally, improved channel seperation across
the 5.1 spectrum, for greater localisation of sound around the room. But
because it's less compressed, the DTS soundtrack takes up more space on
the DVD, meaning DTS discs often come with fewer extras or foreign language
tracks.
Most DVD players available today will be able to
handle DTS, either by using DTS Digital Out to pass the bitstream to an
external amplifier for decoding, or by using its own internal DTS decoder.
If you are interested in purchasing a player with DTS, or want to check
whether your current player supports it, look for the DTS logo, such as
the two below, on the player or refer to the player's instruction manual
DTS
Short for Digital Theatre System. DTS works with the same channel configuration
as Dolby Digital. The main difference being a higher bit rate in DTS,
which gives this system potential for an even higher sound quality.
DTS 96/24
High-quality 96-kHz, 24-bit (96/24) sound playback from ordinary DVD-Video
recordings is limited to only two channels and there are also limitations
on the picture. DVD-Video recorded in DTS 96/24, however, allows high-quality
5.1-channel sound playback in full-quality, full-motion video. DTS 96/24
lets you enjoy both digital output and video output from your existing
DVD player.
DTS ES Discrete 6.1
Discrete 6.1, the latest format, utilises the digital discrete method
to record all 6.1 channels, including the newly-added SB channel, as independent
channels. A major feature of DTS-ES is its expressive power. Since the
SL, SR, and SB channels are fully independent, sound can be freely designed
and sound images can move freely and rapidly amongst each other within
a background sound that envelopes the room from all sides.
DTS Neo:6
Featuring the newest DTS matrix processing technology, the DTS Neo:6 function
provides up to 6.1 channel surround sound from conventional stereo sources,
and can be used with virtually any 2 channel stereo source, analogue or
digital, such as CD, tape, FM, TV, stereo VCR, etc. Two modes are provided:
Neo:6 Cinema is optimised for surround encoded stereo movie soundtracks,
while Neo:6 Music mode is optimised for superior surround sound with stereo
music sources.
DTS-ES Matrix 6.1
ES Matrix processing, developed by DTS, recreates the original 6.1 channel
soundfield by extracting the Surround Back information from the encoded
Surround Left and Surround Right channels, and is superior to generic
"logic" decoding as the ES Matrix function utilises the professional
DTS-ES decoding algorithm as found in DTS-ES equipped movie theatres.

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