Art is a means of making and communicating meaning through
imagery. Visual arts activities enable the child to make connections between the
imaginative life and the world, and to organise ideas, feelings and experiences
in visual, tangible form (Primary School Curriculum, 1999, p. 5).
Principles
The importance of visual arts education in the school
curriculum
- Visual arts education has an important role in the
child’s holistic development
- The creative process that children go through in making
art and the importance of the arts as a way of knowing complement the other
areas of learning
- The process of making
art is emphasised
- The pupils encounter a broad developmental programme in
drawing, paint and colour, in a three dimensional medium such as clay, in
print-making and construction.
- Work in computer graphics may be substituted for work
in fabric and fibre
- Opportunities are given to reflect on art forms from
our own and other cultures
- Topics chosen will be based on a synthesis of
approaches – the techniques approach, the thematic approach and the
environmental approach
- All pupils will have equal access to a visual arts
education
- The programme provides opportunities for children with
special educational needs to show capabilities and achievements
- Visual arts activities will provide for linkage with
other curricular areas, but will be planned in parallel with them, and not
subsumed by the other areas
- Sufficient time will be allocated for visual arts
education, and it is recommended that the visual arts lessons are not
planned for Friday afternoons
- Assessment criteria will identify what is significant
and of value in the child’s visual expression and in his response to art
works.
- A brief check-list of what to look out for when
observing children’s work is compiled
- Use will be made of ICT to broaden the children’s
understanding and experience of
art.
Organisational Planning: Roles and Responsibilities
Developing a shared sense of purpose for visual arts
education
Board of Management
- Provides support for the development and implementation
of the school for the visual arts within its available resources
Principal
- Oversees the development and implementation of school
plan
- Identifies teacher (s) with particular interests and
expertise in visual arts to lead staff discussion and to draw up draft
policy document on the place, purpose and content of visual arts education
Special Duties Teacher
- Development and co-ordination of school plan in Visual
Arts throughout the school
- Responsibility for displays throughout the school –
corridors and notice boards
- Organises resources for particular themes and advises
on purchases of general requisites and tools
Other Teachers
- Provide information on sources of support for
implementing the visual arts programme
- Provide for their pupils a broad and balanced programme
in the visual arts
- Work collaboratively with colleagues
Classroom Assistant
- Assists with preparation of materials for pupils in
junior classes
- Assists pupils during visual arts lessons in junior
classes
The Visual Arts Curriculum
- In the transitional
phase of the introduction of the Primary School Curriculum (1999), it is not
intended to use all of the media. For the immediate future, work will not be
attempted in fibre and fabric.
Media
- Drawing
- Paint and colour
- Print
- Clay
- Construction
- Computer graphics
Aims
The aims of the visual arts curriculum are
- To help the child develop sensitivity to the visual,
spatial and tactile world, and to provide for aesthetic experience
- To help the child express ideas, feelings and
experiences in visual and tactile form
- To enable the child to have enjoyable and purposeful
experiences in the different art media
- To promote the child’s understanding of and personal
response to the creative process involved in making 2D and 3D art
- To foster sensitivity and appreciation of the visual
arts
- To enable the child to experience the achievement of
potential through art activities
Objectives
The visual arts curriculum should enable the child to
- Look at, enjoy and make a personal response to a range
of familiar and unfamiliar objects in the environment, focusing on their
visual attributes
- Explore and begin to develop sensitivity to qualities
of line, shape, colour, tone,
texture, pattern, rhythm, spatial organisation and the 3D quality of form
- Express ideas, feelings and experiences in visual form
- Experiment with a range of art materials such as
pencils, paints, crayons, chalks, markers, ink, clay, papier maché and
construction materials
- Explore the possibilities of the materials with a range
of 2D and 3D media such as drawing, paint and colour, print, clay and
construction
- Apply skills and techniques
- Explore atmosphere, content and impact in the work of
artists
- Identify a variety of visual arts media
- Develop an ability to identify and discuss what he
considers to be the most important design elements of individual pieces
- Begin to appreciate the context in which great art and
artefacts are created
- Respond to visual arts experiences in a variety of ways
- Use appropriate language in responding to visual arts
experiences
Overview of Concepts and Skills Development- All
Classes
Concepts
- An awareness of line
- An awareness of shape
- An awareness of colour and tone
- An awareness of texture
- An awareness of pattern and rhythm
- An awareness of space
Strands
Drawing: |
- Making drawings
- Looking and responding
|
Paint and colour: |
- Painting
- Looking and responding
|
Print: |
- Making prints
- Looking and responding
|
Clay: |
- Developing form in clay
- Looking and responding
|
Construction: |
- Making constructions
- Looking and responding
|
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Infant Classes
Concepts
An awareness of line
- Begin to discover that lines can have a variety of
qualities and can make shapes
- Create movement with lines
- Begin to represent familiar figures and objects with
free lines and shapes
An awareness of shape
- Begin to develop sensitivity to qualities of flat shape
- Invent and work with shapes that have a variety of
characteristics
An awareness of form
- Become aware of the 3D nature of form and of form in
objects – volume in a toy, a ball, a box
- Handle, feel, manipulate and begin to form clay
An awareness of colour and tone
- Become sensitive to colour
- Recognise and mix primary colour and tones
- Distinguish between light and dark colours
- Use colour expressively
An awareness of texture
- Begin to explore the relationship between how things
feel and how they look
- Create texture with a variety of materials and tools
An awareness of pattern and rhythm
- Become aware of pattern and rhythm in visual
surroundings – raindrop in a puddle, clouds in the sky, markings on a
stone
An awareness of space
- Become aware of how people and objects take-up space
- Examine simple structures in the visual environment
- Begin to make basic structures – balance open and
closed boxes on each other
Strand unit: Making drawings
The child should be enabled to
- Experiment with the marks that can be made with different
drawing instruments on a range of surfaces – wriggly, smudgy, gritty, light ,
dark, crayons, soft pencils, chalks, textured papers
- Make drawings based on vividly recalled feelings, real and
imaginative experiences – my house, my teddy, my dream, special occasions
(birthday)
- Draw line and shape as seen in natural and manufactured
objects – line in stones, leaves, curvy, straight-edged, big, small, simple
-
Explore
the relationship between how things feel and how they look – texture in
natural and manufactured objects
Looking and responding
The child should be enabled to
- Look and talk about his work, the work of other children
and the work of artists – describe what is happening, the different kinds of
marks made, how the artist might have worked
Strand Unit: Painting
The child should be enabled to
- Experiment with a variety of colour drawing instruments
and media to develop colour awareness – paint, coloured pencils and crayons,
print, colour-mixing
- Use colour to express feelings, experiences and imaginings
– home and play, dreams and longings, special occasions
- Distinguish colour in the visual environment – beginning
to distinguish between lighter and darker colours, making paintings with a
single colour and black and white
- Discover colour, pattern and rhythm in colourful objects
– stones, flowers, colour magazine cut-outs
- Discover the relationship between how things feel and how
they look – texture in natural and manufactured objects
Looking and responding
- Look and talk about his work, the work of other children
and the work of artists
Strand Unit: Printing
- Experiment with the effects that can be achieved with
simple print-making – use apples, potatoes – cut in half and print; make
impressions with marla with keys, lego; print impressions, initials; pictures of
fish – print bubbles with different sized lids; over-printing – print a
pattern all over the page with one colour. Allow to dry. Overprint with a
different colour; masking out – parts of painted block are masked out using
torn paper before printing
Looking and responding
- Look and handle and talk about familiar objects for
experience of shape, texture and pattern
- Look and talk about his work, the work of other children
and art prints
- Look and talk about examples of print in everyday use -
borders, frames, copy covers, invitations, cards, posters, wallpaper, wrapping
paper and packaging
Strand Unit: Clay
- Explore and discover the possibilities of
clay as a medium – pinching, squeezing, squashing a ball of clay
- Making a variety of forms in clay – fat, twisty, squat,
bumpy
- Making a clay form and manipulate it with fingers to
suggest a subject – worms, snakes, snails
- Invent mixed-media pieces in representational and
non-representational modes – pressing lollipop sticks, feathers, buttons into
clay
Looking and responding
- Look at, handle and talk about objects with free-flowing
forms – smooth stones, fruit
- Look at, handle and talk about own work, the work of other
children and simple pieces of clay pottery
Strand Unit: Construction
- Explore and experiment with the properties and
characteristics of materials in making structures – free play with
construction toys – mobilo; build a stair or wall with light boxes – cheese
boxes; talk about tallest, widest
- Make imaginative structures – make an imaginative play
structure with large boxes balanced on each other; make an imaginative house
using pieces of polystyrene; paint the finished work; make a space helmet or a
party hat
Looking and Responding
- Look at, investigate and talk about spatial arrangements
and balance in collections of objects and photographs – toy buildings, model
farms, simple furniture
- Look at, talk about structures that are easily accessible
–decide how many pieces were used to make a table, a swing
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First
and Second Classes
Concepts
Same as for Infant Classes
Strands
Same as for Infant Classes
Concepts and skills development
An awareness of line
- Recognise that lines have various properties and can
create shapes, textures, patterns and movements
- Look closely at the linear qualities of objects in the
surroundings
- Develop personal symbols to represent familiar figures
and objects visually
An awareness of shape
- Become sensitive to shape in the environment
- Become aware of outline shape, silhouette and shadow
shapes
- Invent and experiment with shape in compositions –
collage, print, drawing and painting
An awareness of form
- Become aware of the 3D nature of form in the visual
environment
- Explore the relationships between parts and the whole
– balance
- Express understanding of form in clay
An awareness of colour and tone
- Develop sensitivity to colour in the local environment
- Begin to analyse colours and mix them purposefully
- Distinguish between colour and pure colour (hue)
- Use colour and tone to create unity and emphasis in
composition – use tones of one colour to create effects
An awareness of texture
- Express the relationship between how things feel and
how they look
- Create variety in surface textures using a range of
materials and tools
- An awareness of pattern and rhythm
- Recognise pattern in the environment – clouds,
leaves, flowers, railings, fields, lichen
- Become aware of repetition and variation in own work
and in the work of others – in line, shape, colour, form
An awareness of space
- Develop awareness of how people and objects take up
space
- Begin
to show relationship between objects and figures in drawings and show some
sense of scale
- Begin to develop a practical understanding of structure
through construction activities
Strand unit: Drawing
The child should be enabled to
- Experiment with marks, lines, shapes, textures,
patterns and tones that can be made with different drawing instruments on a
range of surfaces – crayons, soft pencils, charcoals, chalks, textured
papers, computer art program
- Make drawings based on personal and /or imaginative
life – friends playing ball, school bag, book
- Explore shape as seen in nature and manufactured
objects and become aware of the shape of shadows – silhouette drawings,
shapes of objects and their shadows
- Draw from observation – variety of natural and
manufactured objects – tree, leaf, flower, fruit, vegetable, classmate
Looking and responding
- Look and talk about own work, the work of other
children and the work of artists
Strand Unit: Paint and colour
- Explore colour with a variety of materials and media
– paint, crayons, felt-tipped pens, print, collage, using computer program
to create images and experiment with colour
- Use colour expressively to interpret themes based on
personal or imaginative life – poems, stories, songs, music, what might
happen next in a story
- Paints objects chosen for their colour possibilities
– flowers and other objects from the nature table
- Discover colour in the visual environment and become
sensitive to tonal variations between light and dark and to variations in
pure colour – discover colour and tone through themes chosen for their
colour possibilities (a sunny or stormy sky)
- Discover harmony and contrast in natural and
manufactured objects and through themes chosen for their colour
possibilities – features that blend with environment and those that stand
out
- Discover colour, pattern and rhythm in natural and
manufactured objects – using repeated complementary colours
- Explore the relationship between how things feel and
how they look – rough, smooth, bumpy, fluffy, prickly
Strand Unit: Looking and responding
- Look and talk about own work, the work of other
children and the work of artists – describe what is happening in the
painting, the colours and tones chosen, the lines, shapes, textures and
patterns created, how they are arranged, how colour was used, what
the artist was trying to express, what he likes best about the painting
Strand Unit: Print
-
Experiment
with the effects that can be achieved with simple print-making – with oddments
that have interesting textures or shapes, making rubbings from tree bark, using
a limited colour range to focus on texture, shape, pattern, discovering how
simple prints can be developed further by overprinting with contrasting colours
- Use
a variety of print-making techniques to make theme-based prints – relief
prints, composing a relief block print using one or more colour, creating a
design for a print by drawing thick and thin lines into a slab of clay; printing
with mask-outs; making stencils; making wax-resist pictures, making wax crayon
transfer prints; doing a number of exploded
designs using a computer art program
Strand
Unit: Looking and responding
- Look
at, handle, and talk about familiar objects for experience of shape, texture and
pattern
- Look
at and talk about his work, the work of other children and art prints –
describe print, line, shape, colour and tone, texture, pattern; how materials
and tools were used to create
effects; what he likes about the print; looking at some prints to investigate
print-making techniques
- Look
at examples of print design in everyday life
Strand
Unit: Clay
- Explore
and discover the possibilities of clay as a medium for imaginative expression
- Changing
the form of a small ball of clay using the medium expressively – making
animals or birds, making figures based on stories
- Make
simple pottery – designing and making a pinch-pot, varnish when dry
- Experiment
with and develop line, shape, texture and pattern in clay
Strand
Unit: Looking and responding
- Look
at, handle and talk about natural and manufactured objects for experience of 3D
form – pebbles, shells, simple potter
- Look
at, talk about own work, the work of other children and figures by famous
sculptors – form, what artist was trying to express, what hw likes best about
the work
Strand
Unit:
Construction
- Explore
and experiment with the properties and characteristics of materials in making
structures – grouping, balancing and building with small components and with
construction toys; how spaces and outlines are created; how the different parts
are related to the whole; how some materials can add colour, pattern, texture
and interest
- Make
imaginative structures – design a large complex with a variety of spaces
(castle); design a structure with some complexity in the division of space
(theatre set); design an imaginative plaything (robot)
Strand
Unit: Looking and responding
- Look
at collections and photographs of natural and built structures and investigate
spatial arrangements, balance and outline
- Look
at and talk about his own work and the work of other children – describe the
structure, the materials and tools chosen, how the spaces were arranged, how the
balance was achieved
-
Look and talk about a local building, at a famous
building and visually stimulating artefacts (or slides or prints) -
Fingal County Hall, St Colmcille’s Church, photographs in local
history pack, Pavillions Shopping Centre
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Third and Fourth Classes
Concepts
Same as for first and second classes
Strands
Same as for first and second classes
Concepts
An awareness of line
- Recognise that lines have varying qualities and can
create shapes, textures, patterns, rhythms and movement
- Look closely at and interpret the visual environment
with increased sensitivity to materials and tools
- Begin to show more keenly observed action in figure
drawing and painting
- Begin to use line sketches and diagrams to clarify
design ideas to be interpreted in 3D form
An awareness of shape
- Become sensitive to shape and the relationships between
shapes in the environment
- Invent and experiment with a variety of shape
characteristics to create movement, balance, contrast, emphasis and a sense
of space in paintings, drawings, collage and print
An awareness of form
- Recognise the 3D nature of shape and objects – a
mountain, a car, a teapot, a
piece of fruit
- Explore the relationships between the parts and the
whole of a complex form – balance, symmetry, the play of light and shade
- Interpret form, creating surface texture in line,
pattern and rhythm
- Use materials as media in which to design and invent
An awareness of colour and tone
- Develop sensitivity to colour and tone in the visual
environment
- Analyse and mix increasingly subtle colours and tones
- Become aware of the effects of warm and cool colours
and of variations in tone
- Begin to use colour and tone to create emphasis,
rhythm, contrast in 2D and 3D work
An awareness of texture
- Explore the relationship between how things feel and
how they look
- Create variety and contrast in surface texture using a
range of materials and tools
- Experiment in interpreting texture in drawing and
painting
An awareness of pattern and rhythm
- Discover and explore pattern in nature and in visual
surroundings – ripples in water, sand formations on the shoreline, flowers
- Recognise and use repetition and variation of line,
shape, texture, colour and tone in 2D and 3D work
An awareness of space
- Discover awareness of how people and objects occupy
space
- Create space and depth in drawings and paintings – by
diminishing sizes of figures and objects further away by overlapping
- Develop an understanding of how spaces can be organised
through experience of construction
Strand: Drawing
- Experiment with the marks, lines, shapes, textures,
patterns and tones that can be made with different drawing instruments on a
range of surfaces – outline drawing, silhouette, shape; using a computer
art program to create images and to organise a composition
- Make drawings from recalled experiences, emphasising
pattern, detail, context and location
- Express imaginative life and interpret imaginative
themes – stories, poems, songs, imaginary people, places, creatures and
objects
- Draw from observation – still life, the human figure
Strand Unit: Looking and responding
- Look and talk about own work, the work of other
children and the work of artists – describe what is happening in the
painting, the colours and tones chosen, the lines, shapes, textures and
patterns created, how they are arranged, how colour was used, what
the artist was trying to express, what he likes best about the painting,
problems encountered and solved, work of artists who have interpreted this
theme in a similar or dissimilar way
Strand Unit: Painting
- Explore colour with a variety of materials and media
– paint, crayons, oil or chalk pastels, felt-tipped pens; print, collage;
using a computer art program to experiment with the effects of warm and cool
colours
- Make paintings based on recalled feelings and
experiences, exploring the spatial effects of colour and tone, using
overlapping with some consideration of scale – recent and vividly recalled
events from own life; everyday familiar locations
- Express imaginative life and interpret imaginative
themes using colour – songs, stories, poems; what might happen next in an
adventure story; make large scale paintings of characters and story features
- Paint from observation – make large scale paintings
that emphasise colour, tone, texture, shape and rhythm, portraits of
classmates
- Discover colour in the visual environment and become
sensitive to colour variations – mixing and reproducing as accurately as
possible the colours of objects of visual interest; using colour and tone to
create a background, middle ground and foreground in simple still lifes,
landscapes and cityscapes
- Discover harmony and contrast in natural and
manufactured objects – working out a colour scheme for a 3D model
- Discover pattern and rhythm in natural and manufactured
objects
- Express the relationship between how things feel and
how they look
Strand Unit: Looking and Responding
- Look
and talk about own work, the work of other children and the work of artists
– describe what is happening in the painting, the colours and tones
chosen, the lines, shapes, textures and
patterns created, how they are arranged, how colour was used, what
the artist was trying to express, what he likes best about the painting, the
work of other artists who have interpreted the
theme in a similar or dissimilar way
Strand Unit: Print
- Experiment with a widening range of print-making
techniques
- Use a widening range of print-making techniques to make
theme-based or non-representational prints – making relief prints,
composing relief block prints, impressing found items into a slab of clay,
making a variety of small-scale relief prints (stamp printing), making
stencils, making mono-prints, combining with other techniques
- Make prints for functional uses – wrapping paper,
boxes, posters
- Use a computer art program to create original images
that are not dependent on clip art
Strand Unit: Looking and responding
- Look at, handle, and talk about familiar objects for
experience of shape, texture and pattern
- Look at and talk about his work, the work of other
children and art prints – describe print, line, shape, colour and tone,
texture, pattern; how materials and tools
were used to create effects; what he likes about the print; looking at some
prints to investigate print-making techniques; how problems were solved
- Look at and talk about examples of print design in
everyday life
Strand Unit: Clay
- Explore and discover the possibilities of clay as a
medium for imaginative expression
- Make simple clay pots
- Make sturdy figures in clay
- Work inventively and expressively with cubes or oblong
blocks of clay
- Develop line, shape, texture and pattern in clay
- Work inventively and expressively with papier mache
Strand Unit: Looking and responding
- Look at, handle and talk about natural and manufactured
objects for experience of 3D form – pebbles, shells, simple potter
- Look at, talk about own work, the work of other
children and figures by famous sculptors – form, what artist was trying to
express, what he likes best about the work
- Look and talk about ritual masks, street theatre masks
and figures, functional and decorative pottery (slides or prints)
Strand: Construction
- Explore and experiment with the characteristics and
properties in making structures – washing-up bottles to make model of
Round Tower with the emphasis on balance and
construction
- Make drawings from observation to analyse the
structures of buildings and the natural structure of plants – design and
model a skyscraper; make a model of St Colmcille's BNS, model of St
Colmcille’s RC Church, make planets, spaceships and rockets; investigate
structure balance in contemporary architecture – Eiffel Tower, Golden Gate
Bridge
- Make imaginative structures – a new town, designing
papier mache forms and structures- exotic heads
Strand Unit: Looking and responding
- Look at collections and photographs of natural and
built structures and investigate spatial arrangements, balance and outline
- Look at and talk about his own work and the work of
other children – describe the structure, the materials and tools chosen,
how the spaces were arranged, how the balance was achieved – honeycomb,
bridges, tower blocks,
- Look and talk about a local building, at a famous
building and visually stimulating artefacts (or slides or prints)
- Look and talk about interesting examples of
contemporary architecture and the work of great architects and builders of
history
Back to Top
Fifth and Sixth Classes
Concepts
Same as for third and fourth classes
Strands
Same as for third and fourth classes
Concepts
An awareness of line
- Recognise that lines can have varying qualities of
density, texture, pattern and direction, and can create shapes and suggest
movement, rhythm and form
- Use line expressively and with greater sensitivity to
materials and tools
- Interpret the human figure and progress beyond personal
symbols
- Demonstrate more concentrated observation in
interpreting the visual world
- Use drawings and diagrams to solve design problems and
to clarify and develop ideas to be carried out in another medium
An awareness of shape
- Be sensitive to shape in the visual surroundings
- Invent and experiment with a variety of shapes to
create rhythm, balance, contrast, emphasis and a sense of space in drawings,
paintings and other media
- Focus on shape, edges and layout on the picture plane
without emphasis on depth
- Use overlapping shapes and scale to suggest 3D depth
An awareness of colour and form
- Develop sensitivity to subtleties in colour and tone in
the visual environment
- Develop awareness of the effects of warm and cool
colours
- Mix and use subtle colours and tones and create rhythm,
emphasis, contrast, spatial effects, mood and atmosphere in 2D and 3D work
An awareness of texture
- Explore the relationship between how things feel and
how they look
- Create variety, contrast and emphasis in surface
textures using a range of materials and tools
- Use a variety of drawing instruments to suggest texture
from observation of objects
An awareness of pattern and rhythm
- Analyse pattern in the visual environment through
drawing, painting and other media
- Use repetition and variation of line, shape, texture,
colour and tone to create contrasting and harmonious effects
An awareness of space
- Continue to develop awareness of how people and objects
occupy space
- Develop basic understanding of aerial and linear
perspective
- Design and construct a model with multiple spaces, open
and closed – with cells, rooms, enclosures
Strand: Drawing
- Experiment with the marks, lines, shapes, textures,
patterns and tones that can be made with different drawing instruments on a
range of surfaces
- Discover how line could convey movement and rhythm
movement in nature, Book of Kells, calligraphic styles, cartoon figures in
action
- Make drawings based on themes reflecting broadening
interests, experiences and feelings – pastimes, outings, special events
- Draw imaginative themes using inventive detail and
pattern – stories, poems, songs; dream cars, motorcycles, houses;
futuristic fashion; characters in cartoon strips
- Draw from observation – still life, aspects of the
environment viewed from different angles (using a viewfinder); the human
figure
Strand Unit: Looking and responding
- Look at and talk about his own work, the work of other
children and the work of artists – describe what is happening; the choice
of materials and tools; how rhythm and form are suggested; problems
encountered and solutions found; the use of overlapping and scale; other
interpretations of the theme; what he feels about the interpretation
Strand Unit: Painting
- Explore colour with a variety of materials and media
– paint, crayons, oil or chalk pastels, felt-tipped pens; print, collage;
using a computer art program to experiment with the effects of warm and cool
colours
- Make paintings based on recalled feelings and
experiences, exploring the spatial effects of colour and tone, using
overlapping with some consideration of scale – recent and vividly recalled
events from own life; everyday familiar locations
- Express imaginative life and interpret imaginative
themes using colour – songs, stories, poems; what might happen next in an
adventure story; make large scale paintings of characters and story features
- Paint from observation – make large scale paintings
that emphasise colour, tone, texture, shape and rhythm, portraits of
classmates
- Discover colour in the visual environment and become
sensitive to colour variations – mixing and reproducing as accurately as
possible the colours of objects of visual interest; using colour and tone to
create a background, middle ground and foreground in simple still lifes,
landscapes and cityscapes
- Discover harmony and contrast in natural and
manufactured objects – working out a colour scheme for a 3D model
- Discover pattern and rhythm in natural and manufactured
objects
- Explore the relationship between how things feel and
how they look – discovering texture in natural and manufactured objects;
interpreting textures in colour and tone and in mixed media
Strand Unit: Looking and responding
- Look and talk about own work, the work of other
children and the work of artists – describe what is happening in the
painting, the colours and tones chosen, the lines, shapes, textures and
patterns created, how they are arranged, how colour was used, what
the artist was trying to express, what he likes best about the painting, the
work of other artists who have interpreted the theme in a similar or
dissimilar way; how he feels about the painting; using the internet or CD
Rom to access the work of an artists and to answer questions as above
Strand Unit: Print
- Experiment with more complex print techniques –
discovering how simple prints could be further developed; overprinting with
contrasting colours; overlapping
- Using more complex techniques to make theme-based or
non-representational prints – make a variety of relief prints; composing
relief block prints with line, shape, texture and pattern; re-interpreting
observational drawings and sketches in relief prints; making mono-prints,
making pictorial rubbings, making silk-screen prints
- Make prints for functional uses – making posters,
designing and printing cards and logos
- Use a computer art program to create original images
that are not dependent on clip art
Strand Unit: Looking and responding
- Look at, handle, and talk about familiar objects for
experience of shape, texture and pattern
- Look at and talk about his work, the work of other
children and art prints that demonstrate a variety of print-making
techniques– describe print, line, shape, colour and tone, texture,
pattern; how materials and tools
were used to create effects; what he likes about the print; looking at some
prints to investigate print-making techniques; how problems were solved; the
decisions taken while working; the techniques used by the artist and
speculating on why they were chosen; the most satisfying elements or impact
of the print
Strand Unit: Clay
- Explore and discover the possibilities of clay as a
medium for imaginative expression
- Use clay to analyse and interpret form from observation
- Explore some of the essential characteristics of 3D
work – develop an understanding of structure
- Make simple pottery and sculpture
- Experiment with and develop line, shape, texture and
pattern in low relief
- Make an imaginative slab-built structure
- Work inventively and creatively with papier-mache
Strand Unit: Looking and responding
- Look at, handle and talk about natural and manufactured
objects for experience of 3D form – pebbles, shells, fruit, household
items
- Look at, talk about own work, the work of other
children and figures by famous sculptors – form, what artist was trying to
express, what he likes best about the work, problems encountered and solved,
the experience of working with materials
- Look and talk about ritual masks, street theatre masks
and figures, functional and decorative pottery (slides or prints)
Strand Unit: Construction
- Explore and experiment with the properties and
characteristics of materials in making structures – outlines and spaces;
how the different parts relate to the whole; the rhythms that are set up;
the play of light on the structure; the overall sense of balance created;
paper sculptures with moving parts; make a model of the immediate school
environment
- Make drawings from observation to analyse form and
structure – a bird’s nest; make a model of Swords Castle; design large-scale papier-mache forms and
structures – monsters, dinosaurs, huge masks, crib
- Make imaginative structures – wire sculpture using
light weight florists’ wire; design a model with moving parts
Strand Unit: Looking and responding
- Look at collections and photographs of natural and
built structures and investigate spatial arrangements, balance and outline
- Look at and talk about his own work and the work of
other children – describe the structure, the materials and tools chosen,
how the spaces were arranged, how the balance was achieved – honeycomb,
bridges, tower blocks,
- Look and talk about a local building, at a famous
building and visually stimulating artefacts (or slides or prints) – make a
plan or model for an imaginative building
- Look and talk about interesting examples of
contemporary architecture and the work of great architects and builders of
history
Back to Top
Developmental Approaches to
Various Topics
In this section of the Plean Scoile, greater detail is
given with regard to the techniques which were outlined under the various
strands.
Drawing
Related concepts – line, shape, colour and tone,
texture, pattern and rhythm, spatial organisation
Children’s drawings are spontaneous and reflect the
extent to which they can manipulate tools with which they work and how keenly
they can observe their environment. Opportunities to record events and occasions
that interest them give practice in developing their skills and while adult
conventions are not imposed, the children are facilitated by the teacher
providing experiences of a wider range of materials and by encouraging
discussion before and after picture making. The possibilities of different
materials offer opportunities for new developments and discussion leads to ideas
that may feature in the children’s pictures.
1. |
Pencil |
|
2. |
Felt pen: |
- Spirit-based
- Water -based
|
3. |
Charcoal: |
|
4. |
Marker/crayon: |
|
5. |
Chalk/soft
pastel: |
- may be smudged for special effects;
- must be “fixed” for permanency
|
6. |
Wax crayon: |
- Dots, Lines, Smudges
- rubbings – from nature, objects, templates,
pattern, design or part of a picture
- Side of crayon, groups of crayons
- Crayon transfer – “carbon paper
- Crayon and chalk – chalk on paper, crayoning
over chalk, folding, drawing with a ballpoint
- Crayon etching (Sgraffito) – crayon layer on
paper – overlaying with dark crayon or paint, etching with sharp
point
- Crayon resist – thin paint over strong crayon
- Crayon overlay – crayon over dried paintwork
- Stained glass effect – oil on back of page
- Water soluble crayons – on wet paper
- Face paints
|
7. |
Oil pastel: |
- suitable for most crayon techniques
|
8. |
Brush: |
broad, thin, wet, dry |
Many
of these tools may be explored to see what marks they can make – dots, lines,
smudges.
A
technique is not usually mastered in one experience only
The
first should be a simple drawing with only one element in it – a flower, a
person and house. Emphasis is on the new technique. Then some time later, a more
elaborate picture, more elements. Then adding more difficulties such as more
colours.
Finally
an acquired skill to be used as suitable. Drawing
Exercises
- Pictures
- Taking a line for a walk
- Line Patterns
- Creative Drawing
- Calligraphy
Paint
and Colour
Colour
Media
- Kinds of paint: powder, liquid, poster, block, acrylic,
watercolour
- Brushes: paste, bristle, nylon.
- Marks: dots, lines, filling on dry /water paper
- Painting pictures – free expression gradually
incorporating techniques learned in school
Painting Techniques
- Painting without a brush – sponge, paper roll,
printing
- Blob painting – shape and colour, colour mixing,
identifying shapes,
- String painting
- Blow painting
- Drip painting
- Spatter painting
- Dabbing with a brush
- Rotating with a brush
- Rolling with a brush
- Marbling
Tie and Dye Techniques
Pottery
- Oxides in suspension in water
- Painting of unfired pottery
- Colouring for glazes – transparent and coloured,
pouring, dripping and brushing
- Coloured slip – colour for unfired pottery
Collage
- Newspaper – pattern, picture, medallion, mosaic
- Coloured papers – tissue, crepe
- Exploded shapes – edge symmetry, parallel pieces,
positive /negative designs, exploded pictures
- Paper mosaic –cut squares, torn pieces
- Stained glass windows – one colour window, large
coloured panes, narrow coloured shapes
Print
- History – Gutenberg and Caxton
- Blob printing
- String printing – string + ink on folded page ;
string + ink on folder page, pulled under pressure
- Printing with waste materials – match boxes, spools,
cylinders
- Methods – brush : ink brushed on block before each
print; Inking pad: block pressed on pad before each print
- Prints – free printing without any plan; patterns
using grid of folded paper; patters in two or more colours
- Vegetable prints
- Printing large areas – leaves – ink on block with
brush or roller; paper over inked block; pressure from above
- Cardboard blocks
- Collage of cardboard shapes
- Lino prints
- Polystyrene tray prints
- Mono prints
Construction
3D Work
- Paper – plaques, freestanding, reverse folding,
mobiles
- Waste materials – boxes, cylinders, bottle tops
- Papier mache
- Craft sticks
- Clothes pegs
- Carving – soap, plaster, dried modelling clay
- Modelling clay – play, one piece modelling,
assembling, pottery
Back to Top
Preparation of Schemes of Work
Drawing |
ð |
Observation |
Paint and colour |
ð |
Problem solving |
Printmaking |
ð |
Imaginative work |
Clay |
ð |
Narrative work |
Construction |
ð |
Language of Art |
Computer Graphics |
ð |
Art History
Art Appreciation
The Environment |
|
ò
ò |
|
Techniques' Approach |
Thematic Approach |
Environmental Approach |
Crayons |
Seasons |
Seasons |
painting |
Halloween |
Environmental studies |
Collage |
Christmas |
Shapes from nature used in conjunction with
basic techniques |
Paper craft |
Easter |
|
Mobiles |
St. Patrick's Day |
|
Sculpture (3D) |
Themes arising from other
lessons |
|
|
ò
ò |
|
|
Integration
(Linkage) |
|
Outline of Scheme
September: |
Crayons for 3 weeks, basic techniques
|
October: |
Painting for 3 weeks, mask for Halloween |
November: |
Crayons - Revision of a technique through
application of a new activity; painting techniques for 3 weeks |
December: |
Collage (newspaper) ; Christmas card,
decorations and other activities related to Christmas |
January: |
Collage for 3 weeks |
February: |
St Brigid’s Cross – weaving, paper
and wool |
March: |
Construction or mobiles; St Patrick –
card, picture (revising known technique), badge |
April: |
Puppets for 3 weeks |
May: |
Using the environment – work based on a
study of the environment incorporating revision of technique learned
during the year |
June: |
Clay (thumb pot, coil pot); picture –
revision of technique already learned during the year by application to
History or a story from R.E |
Features of Scheme:
- Special occasions – seasons, weather, feasts
- Application of art to other lessons
- The Environment
- Variety
- Revision
- Basic plan of drawing, painting, printmaking,
sculpture, collage and 3D work
Suggested Programme
Junior Infants
- Rubbings
- Pictures with crayons
- Picture with paint
- Picture with chalk on dark paper
- Picture with chalk on wet paper
- Blob painting
- Finger printing
- Matchbox (spool /cylinder) printing
- Simple clay figures
- Clay animals
- Clay pot
- Paper bag puppet
- Fold and dye
- Paper plate mask
- Matchbox construction
- Collage – geometric shapes –pre-cut and assembled
as patterns
- Torn paper collage
- Roller printing
- Box sculpture
- Choosing a colour and drawing
- Finding and using a “new” (mixed) colour
Suggested Programme
Senior Infants
- Crayon resist – one figure over-painted
- Rubbings (assembled as group on page)
- Patterns with groups of crayons
- Side of crayon – lines, rotation
- Blob painting – butterfly
- Comb painting
- Wet sheet painting
- Matchbox or spool painting (movement)
- Collage medallion (+ rubbing)
- Collage (fish shape)
- Matchbox construction
- Simple clay pot with printed patterns
- Coil work – free coils, people
- Paper bag masks
- Simple paper weaving
- Paper hat – folded or cylindrical shape
- Painted or collage decoration
- Mobiles – circles or squares
- Assemblage – houses (without adhesive)
- Colour walk – collecting colours for collage of fish,
animals, house
- Finding a “new” colour from primary colours
Suggested Programme
First Class
- Crayon etching (with black paint)
- Crayon transfer (with chalk)
- Crayon resist (with coloured paper)
- Rubbings (different textures)
- Rubbings from coiled string
- “Stained glass window” (crayon)
- Blob painting
- Painting without a brush (sticks, paper roll, card,
sponge)
- Cylinder painting
- Medallion shape cut out and backed with tissue
- Animal mosaic
- Name patterns
- Clay statue
- Thumb pot
- Paper vase
- Cylinder mask
- Paper hat from cylinder (cut out and decorated)
- Street of box houses (some adhesives used)
- Finding “new” colours from primary colours
Suggested Programme
Second Class
- Crayon etchings (picture at night)
- Candle rubbings (over-painted)
- Rubbings from nature
- Blob painting (monochrome – one colour + black +
white)
- Textures with paint (chart)
- Comb painting (pattern)
- Rolling brushwork
- Matchbox printing (movement or pattern)
- Torn paper collage (newspaper + black)
- Paper mosaic
- Picture from tissue pellets
- Exploding a shape (fish / bird /leaf shape)
- Tissue window (narrow strips)
- Animal mask (features, ears) – paper bag
- Tall pots in clay – coil work
- Puppet with paper bag head
- Bottle figures – heads + clothes on bottle
- Finding a “new” colour (by mixing) and using with
“a line for a walk)
- Painting a picture with a “new” colour
Seasons,
festivals, special occasions (First Confession –Good Shepherd; First Holy
Communion) cards, pictures, mobiles, stories from books.
Suggested Programme
Third Class
- Picture –crayon, Autumn day
- Line for a walk – crayon and paint
- Rubbing from paper cut-outs
- Stencil painting (with cut-outs from previous crayon
class)
- Spatter painting (using same stencils)
- Blow painting (+ bubble painting)
- Leaf printing (single leaf, pattern of prints,
overlapping prints)
- Exploded shapes (square, shapes cut from edge and
replaces symmetrically)
- Window (Tissue) – large panes
- Mobiles – one unit (geometric shape)
- Paper plaques – cut pattern folded outwards
- Paper weaving: (i) plain
(ii) folded and cut
- Puppet: plate or box on head
- Houses from boxes and corrugated paper
- Mask: box and waste materials
- Modelling from waste materials
- Group work: traced hands assembled to make tree,
hedgehog, dragon
- Group mobiles
- Clay work: faces and flat dishes
- Colour exercises in conjunction with “line for a
walk” – growth, patterns, grids
Suggested Programme
Fourth Class
- “Line for
a walk” using mixed colours
- Candle rubbings –two colours
- Rolling brushwork (with overlapping to allow mixing of
colours)
- Marbling
- String prints : (i) similar to blob painting ; (ii)
string pulled out under pressure
- Paper mosaic : picture (group work)
- Exploded shape : shapes cut and moved out from edge
- Exploded picture from magazine
- Mobiles: with two elements balancing
- Paper castle : group work
- Paper work: fold-up sculpture, folded standing figures
- Rod puppets from card or in three dimensions
- Weaving – paper
- Clay: statues of animals
Seasons,
cards, festivals, decorations, special occasions, pictures, history, posters,
geography, mobiles, artists’ work - appreciation
Suggested Programme
Fifth Class
- Crayon transfer (with chalk) – pattern
- Comb painting: pattern
- Drip painting: developing into a picture
- Stencil pattern
- Poster
- String block poster (string glued to box or block)
- Mono-print : drawn on ink plate for paper resist
- Pattern –collage
- Lantern or mobile transparency
- Early Irish art as source: Cross, panels from High
Cross, patterns
- Calligraphy
- Colour: tone, exercises on grids or with “line for a
walk”
- Mobiles: multi-element, group work
- Box sculpture : cutting boxes to alter shapes
- Box puppets
- Paper sculpture
- Tie and dye: (i) basic shapes, (ii) cushion covers,
wall hanging
- Paper weaving: woven pieces in collage picture
- Bookcraft: covering rectangles or squares
- Special feature: Theme explored in depth – e.g.
Christmas – decorations, crib, frieze, mobiles, gift-wrapping, cards
Suggested Programme
Sixth Class
- Study of patterns in environment
- Crayon resist patters (drawn in crayon, over-painted)
- Potato cut or box-pattern
- Mono-print
- Robot from boxes
- Printing from card block
- Collage
- Study of stained glass windows, tissue windows as a
result
- Painted pattern
- Colour: scheme of mixed colours for pattern or design
- Revision of tones in colour: still life or buildings in
pictures
- Poster or postage stamp
- Dot painting (mosaics, Impressionism)
- Box sculpture: adding coloured windows
- Clay : thumb pot (texture, colour); shallow bowl
- Slab pottery
- Puppets used in puppet play in box theatre with tie and
dyed curtains, painted or collage back-drop, cut-out props
- Book craft: Single section books
- Marbling on cover of Confirmation Book
- Special feature: Environmental Study as a basis for art
work- object from nature studied and used to create patters, designs,
pictures from various techniques
Seasons,
festivals, St Brigid’s Cross, special occasions, geography, history, reading,
cards, posters, decorations, pictures, mobiles, appreciation – version of
subject using artist’s style
Back to Top
Assessment
Evaluation in the visual arts is no less important that in
any other area of the curriculum. The purpose of evaluation is to discern the
strengths and weakness of pupils’ work so that work can be planned
accordingly. The following criteria provide a basis on which to assess
children’s progress:
Perceptual abilities: |
skills in noticing and
observing |
Imagination: |
originality and
inventiveness |
Technical ability: |
skills in using tools and
materials to carry out ideas |
Visual concepts: |
skills in understanding and
using artistic elements (line, colour, shape, texture, pattern and spatial
organisation) |
Critical vocabulary: |
knowing key words which
identify visual concepts |
Ability to use a variety of
media: |
Both 2D and 3D |
What should be assessed ?
- The child’s ability to make art
- Ability to look with understanding at and respond to
works of art
- The quality of the child’s engagement with art.
These skills and dispositions are inter-related and are
assessed on the basis of : perceptual awareness, expressive abilities and
skills, critical and aesthetic awareness and disposition towards art activities.
Assessing perceptual awareness: the child’s
ability to explore, observe, understand and discuss art elements
Assessing expressive abilities and skills: the
child’s ability to express ideas, feelings, and experiences through art; to
make imaginative use of materials and tools; to respond to stimuli and develop
intentionally
Assessing critical awareness: the child’s ability
to view, question, recognise categories, understand and respond to art works
Assessing disposition towards Art activities: the
child’s ability to take a positive, personal approach to art work
Assessment tools
- Teacher observation
- Teacher designed tasks
- Work-samples, portfolios
- Curriculum profiles
Evaluation
Evaluation may be linked to characteristics related to
stages of development and the skills learned from the programme covered in each
standard
Check lists
Infants
Developmental Characteristics
- Line used purposefully (drawing a definite object)
- Beginning to use symbols
- Baseline used
- Skyline used
- Correct colour for objects
Skills
- Can draw with a crayon
- Can draw with chalk
- Can draw with brush
- Can create line patterns
- Can create shape patterns
- Can use brush to paste objects
- Can use scissors
- Can fold paper
- Can manipulate clay
- Can identify a new colour
- Can name a new colour
- Can use side of crayon
- Can weaver 4 strips of paper
- Can cut and paste wool
First and Second Classes
Developmental Characteristics
- Symbols used
- Realistic human figure
- Clothes drawn realistically
- Emotion shown on faces in drawings – smile, frown
- X-Ray pictures
- Symmetrical pictures
- What is known is drawn rather than what is seen
- Colour related to object
- Improved use of tools
Skills
- Can draw with crayon
- Can use crayon heavily
- Can draw with side of crayon
- Can etch with crayon
- Can use crayon transfer
- Can draw with chalk
- Can draw with brush
- Can create line patterns
- Can create shape patterns
- Can show texture in brushwork
- Can use brush to paste objects
- Can use scissors
- Can fold paper
- Can cut and assemble paper and waste materials
- Can manipulate clay
- Can manipulate wool
- Can identify a new colour
- Can name a new colour
- Can follow directions on choice of colour
Third and Fourth Classes
Developmental characteristics
- Use of horizon line (distance)
- Objects placed on page in relation to distance
- Human face /figure in profile
- Increased use of detail
Skills
- Can draw with crayon
- Can use crayon heavily
- Can draw with side of crayon
- Can etch with crayon
- Can use crayon transfer
- Can draw with chalk
- Can draw with brush
- Can create line patterns
- Can create shape patterns
- Can show texture in brushwork
- Can use brush to paste objects
- Can manipulate scissors (more complex cuttings)
- Can fold paper
- Can cut and assemble paper and waste materials
- Can manipulate clay
- Can weave with wool
- Can identify a new colour
- Can name a new colour
- Can follow directions on choice of colour
- Can note variations in colour (different reds)
Fifth and Sixth Classes
Developmental characteristics
- Visually realistic drawing
- 3D accuracy emerging in drawing (distance and space)
- longer work span possible
- 3 D work improved
- colour sense well-developed
- discouraged by inability to reach adult standards
Skills
- Can draw with crayon
- Can use crayon heavily
- Can draw with side of crayon
- Can etch with crayon
- Can use crayon transfer
- Can draw with chalk
- Can draw with brush
- Can create line patterns
- Can create shape patterns
- Can show texture in brushwork
- Can use brush to paste objects
- Can print with single objects and blocks
- Can manipulate scissors (more complex cuttings)
- Can fold paper
- Can cut and assemble paper and waste materials
- Can use clear and decorative lettering
- Can manipulate clay
- Can weave with wool
- Can use tie and dye techniques
- Can identify a new colour (hue)
- Can name a new colour (chroma: red-brown)
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Display Policy
Principles
- The visual appearance of the school contributes to its
image and ethos
- The displays in the public areas reflect the life, work
and values of our school
- The displays are intended to be educative, informative
and visually stimulating
- The displays are intended to have a positive effect on
pupils’ interest and motivation
Considerations
- Displays are related to recent, current or impending
learning topics
- Displays are labelled in order to identify the work by
name and class
- Displays are well-maintained, and are removed when they
have served their purpose
Displays in Public Area of School
- Special duties teacher with responsibility for visual
arts is responsible for organising thematic displays in public areas, e.g.
at Christmas, Easter
- Special duties teacher with responsibility for
handwriting organises display of prize-winning entries
- Class teachers are responsible for display areas
immediately outside their class rooms
Displays in Classrooms
All displays are designed and produced on the general
understanding that they serve an educative and a visually stimulating purpose
- They may show exemplary work of a particular kind
- They may show the entire range of responses to a common
starting point, irrespective of their nature and quality
- They may be intended to reward a pupil or pupils for
outstanding effort and progress
- They may act as teaching and learning aids
- They help to inform parents, BOM, other teachers and
pupils about the nature, standards and ethos of the school / or of the
particular class
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|