The Screenplayagency.com

"Just when you thought it was safe to write...."

Page draft version 1 (Work in progress)

 

Updated: 19/12/2006

Utopia-1    KillerApp   Blood Brothers  Operation Eagle  The Lone Rangers  

The Human Hive   Blood Trail (updated)

Angel and Devils(short)      Short Screenplays (updated)    Concepts

Tips on how to get a "real" agent safely. (Thanks to Loaded Dog for link)


This page was constructed to both advise against using this company as well as document my experience with them thus far.

I stumbled across them on the web. Visited their web site and entered my synopsis for Utopia-1.

(October 2006)

Thank you for your query to the Screenplay Literary Agency.  Based on your
query form information we would like to see your work and learn a little bit
more about your goals and your work.


   1)  Would you please send us an electronic copy
       of your screenplay for further evaluation?

       Please email your manuscript to
      
manuscript@thescreenplayagency.com .

   2)  Would you please answer these 2 questions
       in the body of the SAME email? (Just copy and paste
       the questions).

A.  How long have you been writing, and
what are your goals as a writer?

B.  Do you consider your writing 'ready-to-go',
or do you think it needs some polishing.


You may send either 30 or so pages, or the entire screenplay, whichever you are more comfortable sending to us.  Your screenplay is completely safe within our company. We take care to properly manage all access and if we don't end up working together, we delete all files.

Please  DO NOT include any questions with your submission. If you have a question, please send it to
question@TheScreenplayAgency.com where the proper people may address your question. Most of the questions you may have are answered on the website and at the bottom of this email.  Please see the FAQs below.

About a week later I got a follow on email saying they like my work (bla, bla, bla) and requested a copy of my screenplay. Excellent!!!

I email a copy in PDF format which was acknowledged with an auto response. About a week later they got back....

(October 2006)

Thank you for everything that we have received from you thus far.  Our
review team believes that your work has commercial potential and we would
like to proceed further with you. We believe we would like to represent you.

Basically, we feel that your concept and writing thus far has potential and
that if polished and presented properly, we can sell it.  To take the next
step, please let us take a minute to tell you a little bit about how we
think and the way we do business.

If you agree with our business process, instruction for the 'next step' is
at the very end of the email.

Best regards,
Sherry Fine - VP Acquisitions

ps.  Please forgive this form letter.  I don't like to receive them, and I
don't like sending them.  However, this is at the behest of our lawyers.
They like it when we say it the same way every time. If this email appears
truncated at the bottom, please let me know.

Also, we have just finalized our 'Book-to-Film' adaptation division. If your
work is a novel, the following still applies and we will discuss it with you
after we contract together.

Great. Feeling really good about someone reading and liking my stuff enough to want... But 'ang on what's this bit about paying for a critique at the end of the fecking email???? What happened to no fees??????????

(October 2006)

Q) I need a referral.
A) We will provide you with a referral to someone we trust and who discounts
their prices to our clients. You can certainly use any qualified person to
do the critique if you know one, but they MUST have been in the industry.

Q) How long should a critique take?
A) It should take about two weeks.  It should cost less than $100. It should
be thorough.  Many "old style" critiques are long on plot and short on
mechanics.  The critique that we desire will not only include commentary on
the plot, it will also critically review grammar, spelling, punctuation, and
the mechanics of writing.  We know, we know.. it's all of our least favorite
aspect of writing, but to succeed as a writer, your mechanics must meet or
exceed industry standards.

So I decide to do and old spot of internet detective work and don't like what I find. The best of which I find on http://www.screenwritersutopia.com/ So I drop Sherry an email with my concerns.

(7th November 2006)

Hi

I was excited to get a reply from you regarding my screenplay utopia-1.  Unfortunately I posted a few queries in relation to your company and it has a lot of bad press and references to avoid on the web.

http://www.absolutewrite.com/forums/showthread.php?t=20359

http://nielsenhayden.com/makinglight/archives/007246.html

<http://www.sfwa.org/beware/>

here

Among a few others advising this as being a scam to get money out of writers for re-writes etc.

Any comments as this both makes me weary and annoyed that my work was not read and someone has tried to scam money from me.

Sean Ryan

So she replies with an offer. OK seem to be interested in defending their reputation.

(7th November 2006)

I agree with your caution, and surely you understand ours. We have no desire

to argue about whether a manuscript is ready to go or not.

So I'll make you an offer/deal.

==========================

I'll have my toughest editor formally critique it for free. If it's good enough to go directly to market, then you don't pay anything and we'll issue you a contract. If it 'needs work', then you pay for the critique, and we'll still issue you a contract and you can decide about fixing your work up.

If you believe in the quality of your writing, this should be a no-brainer.

I look forward to your reply.

Best regards,

Sherry Fine - VP Acquisitions

Our Pledge To You:

==================

* We respect what you have accomplished thus far as a writer.

* We believe that great authors are made, not born. We are willing to

develop talent.

* We pledge straight talk in a confusing and old-school industry.

* We can't promise a sale. We can promise a professional relationship.

I agree as it at least will allow me to see what standard the critique is, without spending or wasting money.

I reply as my concerns at this stage as in relation to paying for a critique, then a rewrite, then another rewrite until you are so far in fecking debt with these guys you have to shit or bust and keep going, thus pissing more hard earned down the toilet.

(7th November 2006)

Sherry,

Sounds OK. But I doubt any screenplay in existence would not require some

work.

I asked a few people who pointed me at said links, so I had to ask.

But feel free to progress and look forward to hearing from you.

Sean

To which Sherry relied:

(8th November 2006)

Send me your manuscipt again please.

Best regards,

Sherry Fine - VP Acquisitions

I do and ...

(9th November 2006)

Thank you for sending us your work for evaluation. It has been received

successfully and it is now being sent to our evaluation team.

We have NOT reviewed it at this time. The review process takes about 1-2

weeks.

No WTF!!!!. Isn't this the same as the automatic response you get when you submit a screenplay?

And then I get, which isn't it the same as when you submit something. Eh yes.... 

(16th November 2006)

Thank you for everything that we have received from you thus far. Our review team believes that your work has commercial potential and we would like to proceed further with you. We believe we would like to represent you.

Basically, we feel that your concept and writing thus far has potential and that if polished and presented properly, we can sell it. To take the next step, please let us take a minute to tell you a little bit about how we think and the way we do business.

If you agree with our business process, instruction for the 'next step' is at the very end of the email.

Best regards,

Sherry Fine - VP Acquisitions

I send a mail to Sherry to ask this and

(18th November 2006)

I goofed and duplicated emails, sorry.

Best regards,

Sherry Fine - VP Acquisitions

I ask her about the free critique and I get a mail of:

(20th November 2006)

xxsppr

Best regards,

Sherry Fine - VP Acquisitions

So I drop her a mail to ask about xxsppr is?

(20th November 2006)

Sorry..

Thank you for everything that we have received from you thus far. Our review team believes that your work has commercial potential and we would like to proceed further with you. We believe we would like to represent you.

Basically, we feel that your concept and writing thus far has potential and that if polished and presented properly, we can sell it. To take the next step, please let us take a minute to tell you a little bit about how we think and the way we do business.

Then I get a contract mailed to me. Still no sign of the critique. Getting the feeling that they are trying to blind me with the "smell of success".

(24th November 2006)

Congratulations and my warmest wishes for our mutual success! And again, we thank you for your understanding and your acceptance of our business philosophy. We look forward to working with you and because you have indicated such a strong commitment to your work you can rest assured that we will be excited and committed to doing what we can to work just as hard for you!

PLEASE READ THIS INFORMATION CAREFULLY AS IT WILL SAVE YOU TIME AND REDUCE

YOUR STRESS (and mine!):

The contract in question is: here Worth a read.

I ask again about the "free critique" and Sherry replies.

(27th November 2006)

You should be getting a critique at this time. Please contact adminj@writersliterary.com and get started. Tell them that you are with our Literary Agency so that you receive your discount and priority treatment.

So ahem, this is indeed a money scam? Had they forgot what I asked about them being such and displayed proof of such? So I ask again and get an email from Carole

(29th November 2006)

Dear Sean, 

I have received your faxed contract and have it ready for mailing but I cannot read your address. 

Please email your address to me so I can mail your contract. 

Thank you, 

Please find your electronically countersigned contract attached.  Thank you for using the program. 

Within the next several days, you will receive an email with details and instructions on the “next steps”.   

If you have not received the “next step” email within seven days, please let me know.

 Carole – Contract Administrator

The Literary Agency Group

I email my address: Carole replies, but now with Sherry's email address and gets my name wrong????

(29th November 2006)

Hi Ryan, 

I cannot believe how quick that was!  I will mail your contract out to you today. 

Thanks so much, 

Carole – Contract Administrator

The Literary Agency Group

I asked why there was no attachment and get. Again as Sherry's email.

(29th November 2006)

Dear Sean, 

I am so sorry, I did not mean to send that message-too early in the morning. 

Thanks, 

Carole – Contract Administrator

The Literary Agency Group

So I send an email to the screenplay agency.

(30th November 2006)

Re: Discounted Screenplay Critique for The Screenplay Agency

Thank you for requesting a Screenplay Critique from Writers Literary.

Congratulations on your acceptance by a leading Literary Agency. You’ve

achieved quite a milestone and we are honored to assist you with your

writing career.

I send an email regarding the critique from the writersliterary. I sent a mail to writersliterary and amazingly (since there was money involved) I go a quick reply of "Thank you for requesting a Screenplay Critique from Writers Literary. Congratulations on your acceptance by a leading Literary Agency. You’ve achieved quite a milestone and we are honored to assist you with your writing career." - well assist when you pay $95 (at a discount - yeah right).

(30th November 2006)

Re: Discounted Screenplay Critique for The Screenplay Agency

Thank you for requesting a Screenplay Critique from Writers Literary.

Congratulations on your acceptance by a leading Literary Agency. You’ve achieved quite a milestone and we are honored to assist you with your writing career.

An invoice is below at the bottom of the email that reflects the discount that you receive because of your Literary Agency affiliation.

If there are any questions about payment, payment methods, or payment status, please contact admind@writersliterary.com. Please contact Diane at this email for all payment related questions (not me!).

Please contact me if you have and questions or problems of any kind.

Please DO NOT CC everyone if you have a question, it only causes more

work for everyone.

We look forward to assisting you with this aspect of your career.

Warmest regards,

Joan – VP Administration

I didn't fill this out or send money. Instead decided to wait for my so called free critique.

and get another reply from Carole regarding the attachment (WTF x 10), this time as her email.

(1st December 2006)

Hi Sean, 

No,  that message was not supposed to be there and I am sorry for the mistake. 

Thank you, 

Carole – Contract Administrator

The Literary Agency Group

So feck it. I decide Utopia-1 s too big budget for a spec screenplay and amateur, so I sign it and fax it, just to see if they get back and follow the con.

The co signed contract comes back in the post. Listed as in New York but with Palm Beach post mark. Scanned envelope (click below)..

Co-signed Signature on the contract of: (no I can't work out the name either)

I then got an email of

(3rd December 2006)

Dear Sean,

You may have already received your agency-signed contract, either by email or mail (depending upon how you requested it be returned to you).   If you have not received it within the next five days, please contact me and we will resend it. 

Once again, we congratulate you on your commitment to your writing career and we compliment you on what you have achieved thus far.

Sincerely,

The Contract Administration Department

Note: Please do not reply to this email. ContractAdmin is a singular use email only.  Sherry and the Acquisition Team have enjoyed working with you thus far.  Since their role is very focused on acquisition of new talent, if you have questions or follow-up comments please contact Andrea at:  Andrea@TheScreenplayAgency.com ,as she is in charge of administration and preparing you for working with the Agent.  Andrea will be your administrative contact for the duration of your time with us.

Important:  If you have not made arrangements for obtaining a critique, please contact:
AdminJR@WritersLiterary.com immediately.

What's Next?
=============

Once the critique is in the hands of your Agent, they will review your critique with you and, based upon what is contained within the critique, discuss what is necessary before beginning the sales and marketing of your work.


p.s. Missed Emails, Spam, Whitelists, and other reasons for lapses in communications.  We are very, very diligent about returning every email that we receive within a couple of days.  The same is true for our vendors and suppliers.  IF YOU DO NOT RECEIVE A COMMUNICATION AND YOU BELIEVE THAT YOU SHOULD HAVE, PLEASE, CHECK WITH US AND WE WILL SEE WHAT HAPPENED.  Please don't jump to conclusion.  The Internet is not 100% foolproof and we are very sensitive to our clients' expectations.

I decide to start a "daily email campaign" by asking about the "free critique" on a daily basis. after several mails Sherry gets back.

(7th December 2006)

Sean,

I apologize for the delay but I did not have a copy of your script and had some computer issues so I could not get back in touch with you to get a copy. Please send me a copy of the script and I will send it to Anton VP of Screenplay Services at Writers Literary & Publishing

Services, LLC. (anton@writersliterary.com) and get it underway ASAP.

Best Regards,

Sherry Fine - VP Acquisitions

So I sent my screenplay Utopia-1 for the third time. First was the original submission which they lost and obviously didn't read. The second was after I challenged how legit they were and Sherry offered a "free critique" which never came, but a contract and offer to spend money did. So now the third after sending half a dozen mails to Sherry regarding the offer.

On receipt they sent a mail

(11th December 2006)

Thanks I have sent it over ot Vicki and Anton for the critique.

Time will tell, will be interesting to see what they come back with. Next step is to sign up with a "made up" screenplay, just to see how they react and read (or not) the material sent to them.

Excellent sample of this and other stories with the screenplayagency.com here and here. Oh and here.

screenwritersutopia Thread sample

The story continues:

On getting the contract I got:
"Congratulations and my warmest wishes for our mutual success! And again, we
Thank you for your understanding and your acceptance of our business
philosophy. We look forward to working with you and because you have
indicated such a strong commitment to your work you can rest assured that we
will be excited and committed to doing what we can to work just as hard for
you!"

To which I obviously asked what happen to the offer of the free critique - no reply(big surprise).

So I sent in the fax and Sherry now turned in Carole. Who sent me "Please find your electronically countersigned contract attached. Thank you for using the program."

But alas no attachment. So when I asked. Carole replied (as Sherry's email this time) with "I am so sorry, I did not mean to send that message-too early in the morning."

I was informed to (by Sherry - I think) to "You should be getting a critique at this time. Please contact
adminj@writersliterary.com and get started. Tell them that you are with
our Literary Agency so that you receive your discount and priority treatment. "

So the free critique was indeed gone (and a hoax) and now we were back to square 1. "we like your work, even though we haven't really read it, please pay for a review and then we will kinda be your agent and trap you in a circle of pay for rewrite hell".

I sent a mail to writersliterary and amazingly (since there was money involved) I go a quick reply of "Thank you for requesting a Screenplay Critique from Writers Literary. Congratulations on your acceptance by a leading Literary Agency. You’ve achieved quite a milestone and we are honored to assist you with your writing career." - well assist when you pay $95 (at a discount - yeah right).

Just made a couple of hundred bucks on a rewrite job. So I'm going to pay for the "so called" critique and see how detailed this shame is.

So like I said I'm going to waste the $95 dollars and get the critique (or just get ripped off, which ever occurs first) and document every step (keeping all mails with this thread).

Because I am sick to the tits with companies "assisting" writers and other individuals in separating with their money, because they have dreams of making it and perhaps doing something they love.

Hence I have decided to push on with their "crowd" to see how deep the rabbit hole goes........

Will edit this page (as it is a big rough at the moment) and add further info as I progress with this. Maybe I will contact Google as I noticed the jammy bastards advertising through google adds on my own website (AAAHHHHHHH!!!!!!).

"Loaded Dog) did manage to did a bit deeper. Here is some of the thread from screenwritesutopia

Hi Y'all!

Had time to dig a little deeper today.

It would appear that
Robert Fletcher (aka Sherry Fine) is running The Literary Agency Group Inc. N.Y., from Boca Raton, Florida.


In one way or another, he appears to have been connected at the top end
of each of the following chain of companies.
Sydra Techniques > ST Literary Agency (name later changed to - Stylus Literary Agency) > The Literary Agency Group Inc.

As each company has folded in line (due to a diligent literary world, and possible investigation) the next company has emerged - Same setup - Same B.S. - Same course of defense when confronted on their unethical business practices.

The good news is - The N.Y. BBB have just commenced an investigation into The N.Y. Literary Agency. Keep an eye on this link for updates in coming weeks and months.

http://www.newyork.bbb.org/reports/businessreports.aspx?pid=44&page=1&id=91182

Apparently there ARE photos and contact details out there on Robert Fletcher.
When next I find time Razz

L.D. Very Happy

Another Note from Loaded_dog that is worth a mention:

Footnote:
Robert Fletcher, in his lack of wisdom, is threatening to take legal action against all forum moderators and posters across the world who dare defame his company on their forums.

Now there us irony for ye. So much for freedom of speech.......

I don't like people trying to con me, what I dislike more is treating me like an idiot. From what I have read this group has swindled writers out of thousands (before refusing to answer later queries).

In a market that is damn near impossible to break in, within a craft that more people will hate your work than like. We have enough to deal with, without vultures picking on our bones.

2006. A year of almost getting a short filmed, almost getting an option on a feature and almost getting an agent. Well I guess almost getting ripped off as well. Perhaps 2007 will be better (yeah right!).

Time for a change me thinks, or at least spread the word of avoidance.

Thanks to loaded_dog, Schnitzel, Leo9, mwc, willwriteforfood and everyone else that helped with this case and information regarding this ahem..... "Agency".

As of 12th December 2006 I am left waiting for " .... have my toughest editor formally critique it for free..... Which appear to be ".....Vicki and Anton for the critique...."

Well, well, well. A reply with my Critique HERE.

(16th December 2006)

Dear Sean,

Your critique has been completed (see below) and for expediency it hasalso been forwarded to your Literary Agent. Your agent will review the critique and get back to you within a few days to discuss the resultswith you. If you have NOT heard from the agent within five days, please contact them.

Thank you again for your commitment to your writing career. At Writers Literary we stand ready to assist you in all phases of bringing your work to the top quality possible and if you decide that future improvements are necessary, we hope you will allow us to assist you.

If you have any comments about your critique (good or bad) please let me know. We are always trying to improve our processes and customer service.

=============================================================

Many authors can make their own changes suggested by the critique. However, some authors try to make their own changes, when they really don't have the skills necessary to do so. Therefore the Literary Agency that you work with has asked us to provide the following information to

them as well (see below):

NOTE: There is an industry saying, "if you put 10 editors in a room you will come out with 15 opinions". We have no desire to argue about the subjective notes below. These notes are provided with every critique and provide a quick reference only. Please refer to the actual critique for more detail.

From The Editor:

In my opinion as the person that has reviewed this work, the changes or Improvements suggested by this review can be made by the author.

__maybe____ (Yes, Probably, Maybe, No) This is a 4 point forcing scale.

The amount of work needed to bring this to industry quality standards is:

____ not much

_x___ some

_x___ a lot

How much formatting work is needed?

____ None

__x__ Some

____ A lot

Remember, the purpose of the critique is to get an unbiased plan of action to bring your work up to professional standards. Your agent will work with you and this information to do so.

Vicki - Writers Literary Services

Critique Administration

AdminV@writersliterary.com

Now you can make of this what you will. But the pitch(from my end) is to kick off the ball in doing a rewrite and making improvements. Of which you pay for (right???).

The next day I get another mail and an attached copy of the same critique. Now be warned this is long winded. But I have underlined the important pieces that mention MONEY.

17th December 2006)

Dear Sean,

Hello, this is Mary Bluestone, Senior Agent at the Screenplay Agency. Please allow me to introduce myself and my administrator, Andrea (andrea@thescreenplayagency.com ). Together we will be working with you to prepare your work for marketing, and then to begin the process of selling your work.

If you have administrative, clerical, filing, or other items to discuss, Please take them up with Andrea. If you have questions about the marketing And agenting, please take them up with me.

Please DO NOT cc everyone as that creates make-work as emails are forwarded And duplicated.

If you haven't heard from someone, please let me know as I am your senior Contact. Sometimes, with all the spam flying around, email can slip through

The cracks (on both sides).

Now that those details are over, let's get started.

I received your Critique and reviewed it. It is normal in that it shows some work still to be done,

And some areas that are ok/adequate. I hope you will agree that we now have an objective place to begin readying your work for marketing.

Please note, the critique is supposed to give us an overview of your work and writing. Ultimately, the final decision about any suggested

change is yours. We have a saying, "if you put 10 editors in a room you will come out with 15 opinions". If you don't agree with the editor, we are on your side, especially about subjective items. For the mechanics and formatting issues we side with the editors. Here's a recent quote about errors that you might appreciate. "Errors will not be noticed by every reader but every error will be noticed by some readers. Errors are distractions that impede the credibility of a writer. A great story will be diluted if it contains grammatical errors, spelling errors or major errors in punctuation".

Given the results of your critique, It is our recommendation, and we're sure that you would agree, that the Indicated improvements are implemented before we submit your work to Potential buyers. It is absolutely critical that we submit only top quality Work to our buyers. We insist on quality to protect your reputation

(and ours too).

The unfortunate reality is that buyers are inundated with so many scripts they can Pick and choose those that are as close to perfect as possible.

At this time we have to make a decision based on the results of the Critique.

=================================================================

Our basic question is this, "based on the critique results, can the author

Make their own changes, or should they be required to work with a Third-party editor to make the improvements called for in the critique?"

==================================================================

1) You may decide to make the changes yourself.

------------------------------------------------------------------------

--

We realize that in many cases the author feels that they can make their own

Changes, or they need to save money, or they just want to do the changes Themselves.

Every author feels differently about the subject of changes to his or her work. You may want to make your own changes. You may need to save money, or you may wish to learn more about how to become a better writer by going through the process of making your own changes.

Making your own changes is perfectly acceptable. If this is your decision, please realize that we may perform an internal Critique on the changes you have made. If we find that more work is needed, then we will request that you work with an editor. However, we may find that your changes are acceptable, and we may move forward into marketing. We treat each case individually.

2) Our preference, if you can afford it, is for you to use an editor to assist you.

------------------------------------------------------------------------

-----------------------------------------

In many (if not most) cases the author is so close to the work, that they can no longer be

Objective about making changes. We know that you don't want to go through it again for the umpteenth time.

We also know that it helps to have someone to ask questions of, etc. We know that working with an editor will definitely help you improve your skills and improve your work.

Will this turn into endless rounds of editing? Of course not! That's the beauty of our program. You don't have to take our word for it, and

we don't have to take your word for it. When the editor grades it as ready to go, it's ready to go, and we can proceed to marketing.

As Literary Agents, we don't edit, we just sell. We try to let theeditors work with our authors for creative, for mechanics, for everything related to the work itself, and then, we'll work with the

writer for packaging, pitching, and presenting the work. Our core competency is selling what you write, not writing what we sell. (And editors and writers make lousy salespeople, so it works out.)

As you continue with us, you will learn that ultimately you are guiding your writing career, not us.

------------------------------------------------------------------------

----------------

There is no right or wrong answer to the above question about editing,  Just what's best for you, the agency, and the work.

------------------------------------------------------------------------

------------------

As you make your decision about how to move forward with the necessary improvements, please consider the following.

To be blunt, if money's not a problem, then use an editor (fyi, you can get started with an editor for as little as $179)*.  If money is a problem then we can work with what you can do. Many of our authors have different financial situations and we try to work with each author based on the full set of circumstances that apply.

I can tell you though, that we are perhaps a bit more aggressive in selling work that we know has been edited With a professional, and it always looks better on the pitch sheet and marketing materials when you can write Down the name of your editor. Buyers know that if you've invested in your craft, you have separated yourself from the Pack.

Please realize that we deal with authors from every walk of life as well. A certain percentage of our authors have The wherewithal and desire to work with an editor through to the end.

So, ultimately further editing is your decision, and we will work withyou in either way.

Conclusion

--------------------------------------------------------------------

I hope this explains the options available to you at this time. Just to Repeat, if you make your own changes, then we may require more work, or we May not. Obviously we'll have to review what the changes look like.

If you use a third party editor, then we know that the work was done correctly and We can move forward into marketing immediately.

Please let me know which way you would like to proceed given the results of The critique. As we said, each situation is different and we are willing to listen.

If you have any other questions or would like to proceed in a different Manner please let me know. This is a slow-moving industry and we can afford To take our time to bring your work to the highest possible level before we Pitch it.

I look forward to your reply.

Mary Bluestone

P.s. Here is a description of the editing program that we recommend for screenplay writers. You may choose any editor you wish of course, as long as they have editors with strong industry credentials.

=====================================

SCRIPT COACHING SERVICE (SCS)

Offered by Writers Literary Services.

A script coach will help you with all the elements needed to strength the initial draft of your screenplay. Your assigned editor will explore all areas of your script's narrative strengths and weaknesses (plot structure, characters, dialogue, writing style, etc.), raising story concerns, focusing on strategies, and presenting new ideas to address your rewrite.

By offering more than an evaluation -- a kind of collaboration -- we take you to the next step of development, just as in the studio development of a screenplay. Except here you are not working with indifferent executives -- but with skilled, professional, caring fellow writers. Whether you're a first-time novice or a seasoned veteran, we want to make your script sellable and to empower you as a screenwriter on the path to success.

We think this is a very manageable way to get started and helps you to assess how much time is needed and how much time you can afford. You can choose to work with your editor primarily via email, or via phone. Basically, your Script Coach will track their time against the 3-hour blocks that you've contracted for.

Script Coaching is for those who need personal, hands-on editing and guidance -- with an industry professional close by their side. You can instruct the coach to do the work, you can do it yourself, you can design any process you wish with the goal of bringing your work to the highest standards. It may turn out that you need only 1, 2, or 3 blocks of time to accomplish a 'full edit'. Youur agency has negotiated a discount price for a 3 hour block of time for only $225.

========================================

Once again, we thank you for your willingness to go through the editing and polishing process. By doing so, you separate yourself from those writers that don't have the willingness to endure what is typically the most tedious element of a writing career. We know it's not fun.

However, it is necessary and we commend you for your commitment to your craft.

I look forward to hearing from you.

Sincerely,

Mary - Senior Agent

Did I follow up? Did I fuck!!!!!

For my mind an agent works with you to sell your work for a percentage. They never charge you for work on making it "better" to sell and get a percentage.

Oh and every screenplay in existence can and could be improved by a good enough writer.

Meanwhile loaded_dog at http://www.screenwritersutopia.com/  got this reply from VICTORIA STRAUSS @ WRITER BEWARE.

19th December 2006)

E-MAIL REPLY FROM VICTORIA STRAUSS @ WRITER BEWARE.

The Literary Agency Group is an umbrella organization for a number of  literary agencies and "divisions" (Children's Literary Agency, Christian Literary Agency, New York Literary Agency, Poet's Literary Agency, The Screenplay Agency), and an editing service (Writers Literary &
Publishing Services Inc). The Literary Agency Group was originally run as a single agency called Stylus Literary Agency (formerly ST LiteraryAgency, formerly Sydra-Techniques), which began operation as a fee-charging agency in 2001. LAG's Manhattan address is a mail drop; the
operation is based in Boca Raton, Florida, where the owner, Robert  Fletcher (a.k.a. Robert West) lives. In 2001, Robert Fletcher was fined for violating the Washington State Securities Act by selling
unregistered securities, acting as an unregistered broker, and making  material misrepresentations and/or omissions in connection with his company ByteAudio Inc.

I have extensive documentation that the original agency, Stylus/ST/Sydra-Techniques, engaged in questionable practices, including charging upfront fees (reputable agencies don't ask writers to pay
upfront), recommending that writers buy services--including critique, editing, and illustration services--from self-owned companies (this is a conflict of interest--if the agency can make money from recommending services, how can the writer trust that the recommendation is in his/her
best interest?), haphazard and ineffective submission methods, failing to make submissions even though writers paid submissions fees, and possibly offering vanity publishing deals to clients.

In its current form, the business is mainly focused on persuading writers to pay for critiques and editing services. A critique is required as a condition of representation; the critique company to which writers are referred, Writers Literary & Publishing Services, is misleadingly described as a "sister" company, but in fact is a branch of the larger operation. Once writers have paid for critiques and/or editing, they are offered the chance to buy other services--a website for $140, children's book illustrations for $300, an "Aggressive Agent Program" that charges around $19 per publisher submission and claims to send bound manuscripts to publishers (this is unprofessional: publishers
want loose sheets). The operation employs a boiler-room approach, with writers getting identical form emails and responses, depending on what questions they ask or where they are in the process.

A special note on Poet's Literary Agency: apart from well-known authors and celebrity projects, reputable agents don't represent poetry, which is a tiny, non-lucrative market. Agents who claim to represent poetry are nearly always either inexpert or fraudulent.

To Writer Beware's knowledge, the operation has no commercial book or script sales under any of its names, despite its claims to the contrary.

- Victoria

--
Victoria Strauss
THE AWAKENED CITY (HarperCollins Eos)
Personal Website:
http://www.victoriastrauss.com/
Writer Beware:
http://www.writerbeware.org/
Blog:
http://www.accrispin.blogspot.com/

 

Looks like I am finally finding out where the rabbit hole leads...... Straight into my bank account.

Watch this space.....